Via this week’s Lying in the Gutters:

Alan Davis presented either a cynical or realistic interpretation of the industry, where writers, needing to increase their salary after royalty payments disappeared as the norm, stretched their story ideas into multiple issue arcs, a five issue arc taking less time to write that [sic] five separate stories, so that they could write more titles. And artists demanding that editorial ask writers to give them splash and double splash pages for extra resale value. And editorially driven comics deriving from set plot points, and the writer’s job nothing more than finding acceptable ways to join the dots.

I’d call that a pretty realistic interpretation of things. Corporate comics are a bottom line business, plain and simple. Why wouldn’t writers and artists adopt a similar attitude, especially when it comes to work-for-hire? C.R.E.A.M.

 LINK: Alan Davis Lays it Down

About Guy LeCharles Gonzalez

Guy LeCharles Gonzalez works in publishing by day, world domination by night. Over the years he’s lived in Staten Island and South Beach Miami; served in the Jehovah’s Witnesses, US Army, and Dennis Kucinich’s ‘04 Presidential Campaign; won poetry slams, founded a reading series, co-authored a book of poetry, and self-published another; prefers Pumpkin and India Pale Ales, Buffalo Trace and Four Roses Bourbons, and Dona Paula Shiraz Malbec. He’s a devout Mets fan from the Bronx now living in New Jersey, and has a beautiful wife and two amazing kids.

 

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