Guy LeCharles Gonzalez
Here’s How Movie Studios Rejected Scripts in the Early 1900s.
Those of you unhappy with the quality of movie ideas and output of today will likely also get a kick out of excuses like “weak plot,” “improbable,” “too conventional” and “no adaptations desired.” Of course, the notice does make the studio seem interested in action, but nothing too unpleasant, and they weren’t down for period pieces and foreign-set works.
“Your idea has been done before.”
Pretty sure no one’s received THAT rejection from Hollywood in ages. Of course, that’s okay, because ideas are worthless without execution and execution is where Hollywood (and writers and publishers, for that matter) usually drop the ball.
Tagged with: Writing
Read My Reviews
Recent Posts
- Moving Beyond THE BOOK; Three Takeaways from #Book2
- 5 Career Tips to Survive Publishing’s Digital Shift
- The Myth of “Verticalization” – Community Ain’t Easy
- My Favorite Reads of 2011
- Spinning Dominoes: Don’t Believe the Hype… But DO Learn From It
- Entry Points, Accessibility and Transmedia Potential
- 6Qs: Alex de Campi, Comics Innovator and Provocateur
- Richard Nash on Cursor and the “F” Word
- The Problem With Klout? It Has None
- The Truth About Disruption in Publishing
Super Search












