While many book publishers and academy types might argue otherwise, poetry has always been an oral form, first and foremost. A poem on the page is theoretical, incomplete; like a promising idea not yet vetted. Reading your work out loud is also one of the best forms of editing, and not just for poetry, but straight fiction and non-fiction, too.
Inspired more by friends like Chuck Wendig, Will Hindmarch and Jane Friedman than Joe Konrath, et al, and emboldened by everything I learned from working with Joshua Tallent while running Digital Book World, my goal for the project was two-fold: do enough of it myself to have hands-on experience of what it takes, what’s “easy” and what isn’t; and to get the monkey of finally publishing this particular book off my back!
What librarians make. Or Why Should I be More than a Librarian? from Joyce Valenza on Vimeo.
What librarians make. (Or Why Should I be More than a Librarian?)
(Inspired by Taylor Mali and his poem What Teachers Make, or Objection Overruled, or If things don’t work out, you can always go [...]
My friend, Al Letson, one of my all-time faves from the slam scene, is taking it to a whole ‘nother level on NPR with State of the Re:Union.
On Wednesday night, I helped organize and participated in Digital Book World’s second 7x20x21 event at the Bowery Poetry Club, and I had an amazing time!
“Return of the Optimists” was co-hosted by the dynamic duo (and two of my publishing partners in crime), Ami Greko and
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