On comics and other pop culture topics, including archived Comic Book Commentary posts from 2005-2007.
I never got into Magic: The Gathering, but I did play a lot of Pokemon and VS., so the appeal of collectible card games (aka, social gaming!) isn't new to me, and Advance Wars: Days of Ruin is one of my all-time favorite games, so turn-based tactics is right up my alley, too. Combine them with an impressively deep setting, beautiful artwork, and a slick (if not totally intuitive) deck virtual management system, and you have a winner.
"From the Director of 300 and Watchmen" isn't an ideal tagline for a PG-rated movie aimed at kids.
The weakness of “It’s all a dream” — why we hate that, why we feel cheated when narratively anything is revealed to be all a dream — is that you’ve just asked me to spend so much time and emotional capital investing in the stakes of this, and you’ve now swept it away with the most anti-narrative structuralism that doesn’t have anything to substitute in its place. It’s laughing at you for even taking it seriously. You don’t want to feel like a victim of the narrative, and I don’t think Christopher Nolan would do that.
Inception’s Dileep Rao Answers All Your Questions About Inception
Nuanced, brainy and thought-provoking, Christopher Nolan’s provocative sci-fi masterpiece (yeah, I said it) isn’t your typical formulaic summer blockbuster. Even its car chases, gun fights, explosions and special effects wizardry exist on a whole ‘nother level, raised by the sheer audacity of Nolan’s demanding that moviegoers sit still, pay close attention and think hard about what they’re seeing for 2.5 hours rather than be spoon-fed the usual red/blue pablum Hollywood spews out like clockwork from their “me, too” factories.
There’s no filler, no empty calories, no short cuts, no opportune pee breaks; Nolan packs something worthwhile into every second of screen time, and you blink at your own risk. It’s an action movie for intelligent adults who are tired of being treated like teenagers, and it will stick with you long after, whether you loved it or not.
It’s also a call-to-action of sorts for writers and publishers. Or could be, if they’re listening.
It's been two weeks since Steve Jobs' "magical and revolutionary" device officially went from fascinating Rorschach test to tangible consumer appliance, and while some of the hype around it being the savior of book, magazine and newspaper publishing has thankfully died down, there's no debating that Apple's App Store has had a significant impact on how we value and consume digital content. That impact will likely increase with the introduction of the iPad, and it's especially noteworthy for publishers who are looking to iBooks and the "agency model" to counter Amazon's pegging $9.99 as the benchmark for eBooks. Savvy…
About 10 years ago a relatively unknown actor, by the name of Vin Diesel, starred in a scifi/horror movie about a group of stranded travelers on a planet where hungry giant bat like creatures come out to feed in the middle of the night. Four years later that same character comes back to fight a race of conquerors who have a unhealthy obsession with death. And so… The Chronicles Of Riddick began. But, it seems to have stopped there. Well kids talk has been resurfacing again at the return of Richard B Riddick and all of his night vision ‘badassery’.…
via imdb.com TYLER You were looking for a way to change your life. You could not do this on your own. All the ways you wished you could be...that's me! I look like you wanna look, I fuck like you wanna fuck, I'm smart, capable and most importantly, I'm free in all the ways that you are not. JACK No... FLASHBACK - EXT. PAPER ST. HOUSE - BACKYARD - NIGHT Jack stands in the yard, vodka in hand, yells at Marla. JACK Tyler's not here. Tyler's went away. Tyler's gone. MARLA What? INT. HOTEL - RESUMING JACK This is impossible.…
I have the house all to myself for the next couple of days, and a rainy Sunday is the perfect time for a double-feature of the best "superhero" / "comic book" movies ever: Unbreakable and The Dark Knight. The former is highly underrated (and still holds up), the latter justifiably lauded; both are the best movies either director has made to-date. Feel free to disagree, but you'd be wrong!