Digital Natives and Ebooks: Missing the Point

WE BELIEVE that reading widely and reading fluently will give children the reading stamina to deal with more challenging texts they will meet in college, at work and in everyday life. And every child should be able to choose and own the books they want to read for that choice builds literacy confidence—the ability to read, write, and speak about what they know, what they feel, and who they are.

Richard Robinson, Chairman, President and CEO, Scholastic Inc.

The just-released 2010 Kids & Family Reading Report™ conducted by Harrison Group and Scholastic has caused a bit of a stir thanks to one relatively minor data point that’s been highlighted more than any other, perhaps best illustrated by the AP’s misleading headline that reads more like Huffington Post linkbait: “Survey: Children like e-books, parents not so much.

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Your Brand is NOT a Community

Back in January, Shiv Singh gave a great keynote presentation, Engaging Readers in the Digital Age, at the inaugural Digital Book World Conference that, in retrospect, set the tone for what was to come in 2010.

“Build consumer brands,” Singh exhorted, “because your current value chain is breaking.”

Since then, we’ve seen the introduction of the iPad, the Agency Model, and ugly public standoffs between Amazon and several publishers over ebook pricing; notable authors like J.A. Konrath and Seth Godin have made a fuss about eschewing “traditional” publishing channels; and uber-agent Andrew Wylie challenged Random House to a stare-down over ebook royalties, launching his own ill-fated ebook imprint, Odyssey Editions.

Underscoring all of these dust-ups is one recurring theme: publishers’ lack of a direct relationship with readers leaves them vulnerable to disruption and disintermediation.

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The Godin Situation: Content, Context, Community

Seth Godin's decision to not publish his theoretical next book(s) via traditional channels has caused a predictable stir amongst the pundit class, with proclamations about "The Death of Publishing" coming from many of the usual suspects looking to scare up page views. Predictably, few have acknowledged the unusually nuanced statement Godin actually made about his situation: "The thing is--now I know who my readers are. Adding layers or faux scarcity doesn't help me or you."

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So You Have a Platform; Now What?

Abandoned Train Station in San Juan Province, Argentina by redteam

And now blogging is — and very shortly became — something people do do because they are ambitious.

Lizzie Skurnick

When all is said and done, one of my personal highlights from 2010 will undoubtedly be the “Why Keep Blogging?” panel I participated on at SXSW, partly because it was a great session that was very well received, and partly because it introduced me to Lizzie Skurnick, of whom I am now a complete and total fanboy.

The quote above is from a post that represents almost everything I love about the whipsmart and outspoken Skurnick distilled into one wonderfully compelling rant, and it’s a must-read, if only peripherally related to the rest of this post, which is mainly about social media, “platforms” and an article I wrote for the September 2010 issue of Writer’s Digest on 10 questions writers should be asking themselves about the future of publishing.

One of those questions is, “What else am I going to do with MY platform?”

You’re blogging; you’ve amassed a decent number of fans and followers on Facebook/Twitter; you even have a book deal (or for my DIY friends, a formatted book and/or eBook).

Now what?

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