It will be interesting to see what other publisher can successfully go the Marvel route; with a $2B+ worldwide box office already in for the Avengers’ on-screen storyworld (one that still bizarrely lives in total isolation from the comics), I’m guessing several will make the attempt within the next 2-3 years. Two gaming franchises I think have some serious transmedia potential are Bethesda’s The Elder Scrolls and Activision’s Skylanders, though you might be surprised by which one I think has the most potential.
While many book publishers and academy types might argue otherwise, poetry has always been an oral form, first and foremost. A poem on the page is theoretical, incomplete; like a promising idea not yet vetted. Reading your work out loud is also one of the best forms of editing, and not just for poetry, but straight fiction and non-fiction, too.
Inspired more by friends like Chuck Wendig, Will Hindmarch and Jane Friedman than Joe Konrath, et al, and emboldened by everything I learned from working with Joshua Tallent while running Digital Book World, my goal for the project was two-fold: do enough of it myself to have hands-on experience of what it takes, what’s “easy” and what isn’t; and to get the monkey of finally publishing this particular book off my back!
“Just do it!” was definitely an underlying theme of the day as the deceptively sexy notion of the “democratization” of content creation and distribution was frequently noted, but I realized towards the end of the day, what was missing was any reference to the issue of access, and the ever-widening digital divide.
10 questions writers should be asking as they look ahead to the future of publishing—and where they fit in.
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