How the Internet (and Advertisers) Killed Journalism

Newspaper stands by wili_hybrid
Newspaper stands by wili_hybrid

The Atlantic has a must-read essay from James Warren, “When No News Is Bad News” (h/t @guykawasaki), that does an excellent job of putting into perspective how the Internet played a role in the death spiral of newspapers. Most interestingly, he makes it crystal clear how precarious the road ahead is for real journalism’s survival as a result, while calling bloggers out on their exaggerated self-importance and understated reliance on traditional media.

Newspapers have been and remain by far the largest source of news coverage and analysis in any city or town. Without the local paper, the TV and radio stations would be in difficult shape, despite the good work they often do. The most popular websites—Yahoo, the Drudge Report, MSNBC.com, CNN.com, the Huffington Post, you name it—also rely heavily on the work of newspapers, more often than not appropriating and linking to their stories without providing a penny in payment. As I write, the headline on the lead Huffington Post story is about the Bush administration “Burrowing Political Appointees into Career Civil Service Positions.” Upon closer inspection, this Huffington Post Story turned out to be a truncated version of what was in fact a quite interesting Washington Post story. (And upon even closer inspection, the actual story made clear that this had been common practice among all administrations in their final days and cited about 50 examples of the Bill Clinton administration doing the same thing.)

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Is the Future of Publishing…GOOD?

Don't Believe Everything You ReadThe bad news in the publishing industry didn’t let up last week as reports of cutbacks and layoffs and dramatically decreased revenues continued to pour in, and TheMediaIsDying tweeted every depressing bit of it, from major publications to small local radio stations, the rare bit of positive news they offered up paling in comparison.

One tweet in particular caught my eye because the issue in question had just arrived in the mail, one of several unsolicited “trial subscriptions” that have come my way recently, presumably to shore up increasingly problematic rate bases for ad-supported magazines:

themediaisdying The February WIRED is only 113 pages, of which only 31.5 are ad pages, per alleyinsider.com – not the usual 1:1 ratio. (@woodenhorsepub) 10:55 AM Jan 23rd from TweetDeck

Interestingly, there’s a letter to the editor in that issue that tweaks Wired about the amount of advertising they usually run, with a surprisingly defensive (and five times as long) reply that concludes with: “P.S.: Advertisers, please do not read this note.”

About an hour before that depressing tweet, GOOD magazine’s blog ran an interesting, if somewhat self-serving post, “Don’t Be (Quite As) Evil“, that posed the question, more or less, What if companies stopped advertising completely and, instead, put that money towards doing good things and getting PR for it?

These are scary days if you’re in the ad business, and not because the economy has bolted out from under us and off into a canyon. No, it’s scary because on the other side, there’s more terror still, because even when consumers begin to buy again, it’ll be harder to reach them. They don’t buy print media; they skip past television ads using their DVRs; they ignore pop-ups and banner ads online. And even if they’ve noticed your ads and go shopping for your gizmo, your $300 million ad-spend might be undone by a single, anonymous reviewer on Amazon: “This product sucks.”

Against that background of flailing ad effectiveness, companies are shifting their ad budgets, one tiny step at a time, towards meaningful P.R., dedicated to noble causes. But what’s stopping a massive company from working at a grander scale, to really do something?

The unavoidable answer: It’s because of you. It’s because you’re too uninformed, too indifferent, and too cynical. I’ll explain. Consumers haven’t quite yet proven that they put money where they’re morals are—or that they’re willing to spend the time and effort to figure out what’s moral to begin with. Too often, cynicism yields to blanket indictments of “corporate America,” which leaves businesses with few incentives to try harder. What really prevents big companies from investing more is the nagging fear that you, the consumer, won’t notice. Or what’s worse, that even if you do, you’ll never reward them for it.

Despite being marred by a gross over-simplification of how advertising works and an unfortunate “blame the reader” angle, it’s worth reading as its underlying premise is sound: companies should do good things and tell people about their efforts.

In the context of advertising vs. PR, though, and the currently precarious state of publishing, as the cover of their second issue (above) noted: “Don’t Believe Everything You Read”.

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Random Reviews: Inkheart, Wanted, Chalk

We’ve been having a lot of Blockbuster nights since we bought the house last summer, while managing to catch whatever kid-friendly movies worth seeing in theaters whenever possible, and I’ve been reviewing a lot of them on Flixster but wanted to round up the most recent batch and post them here, including expanded commentary on a few.

Inkheart: Saw it tonight and loved it! A great cast highlighted by Paul Bettany and Helen Mirren, who lift Brendan Fraser beyond his typically solid leading-man performance, and Andy Serkis as a great villain; plus, an intriguing story combine for what is effectively an entertaining love letter to the power of the written word, writers, and imagination itself. It’s a little dark for some kiddies — India said afterwards that she thought it was rated R! — but I enjoyed it so much that I went and bought the book right afterwards and started reading it in the store.

Side note: This was the first movie I’ve seen Mirren in since those pictures last summer of her in a bikini and it was a little distracting for the first couple of minutes. Zoinks!

Black Snake Moan: Surprisingly poignant and touching; great performances from Samuel L. Jackson and Christina Ricci enable Craig Brewer to fulfill the potential of his risky idea — the DVD extras are must-see — and Justin Timberlake does a solid job of not embarassing himself. The music, too, is amazing and I want the soundtrack which includes Jackson doing “Stack-o-lee”, one of the many songs that inspired the best graphic novel of 2006, Stagger Lee.

Wanted: Imagine, if you can, a mash-up of The Matrix and Fight Club, written by a roomful of monkeys with iPods and directed by the least talented monkey in the room, and you’ll get close to the total wackness that is Wanted. James McAvoy’s character and acting were lame imitations of Ed Norton in Fight Club, and the handful of kewl action moments were overshadowed by the sheer lameness of the script and, pardon the pun, threadbare plot. The comic book it was based on was similarly hacktastic, so it’s no surprise, but I expected a little better from Easy Reader. Morgan Freeman: You’re on notice!

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Spindle Update: We’re Back!

Spindle Magazine: A New York State of Mind
Spindle Magazine: A New York State of Mind

Can you believe Spindle “officially” launched just over a year ago?  Or that it has been 9 long months since we had a full update?!?

Of course you do because you’ve been anxiously refreshing the home page ever since, or triple-checking your favorite RSS reader in a desperate attempt to make some fresh new NYC-flavored literary content appear at spindlezine.com.

Oh, what? That was just me?

Well, anyway, MY wish has finally been granted as Spindle is finally returning with some great new poetry from the likes of Amanda Halkiotis, Lynn Patmalnee and Jon Sands, plus a new photo gallery from David King, and an inspiring (and timely!) essay from Peggy Landsman entitled “The Community Chorus”.
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Twitter Tips for Writers

I raved about my former Writer’s Digest colleague, Maria Schneider, a couple of weeks back — towards the end of a long rambling post that no one but my wife probably read — because she’s put together one of the best websites for writers out there at editorunleashed.com.

She’s not only producing some great content including tips on writing and getting published and links to great free resources, she’s interviewing writers and agents, hosting a vibrant and active community, and has even started offering workshops on everything from writing an effective query letter to intensive fiction workshops designed to help you finish that novel.

Her post today about Twitter was particularly timely as I’ve started using it a lot lately, both personally and professionally, but I’m not sold yet on its real value. I’m still in the early stage of what she likens to “being at a cocktail party where you know no one”, but her tips on how writers can get the most out of it and 25 Twitterers to follow is a great resource:

There’s a bunch of publishing types using Twitter and following them is tapping into the zeitgeist—a never-ending stream of conversations, random thoughts and links. It gives you access to lots of smart, interesting, connected people.

But if you’re just getting started on Twitter it can be really intimidating, so I’ve made this list of 25 good follows for writers composed of the twitterati, book bloggers, agents, publishers and writers. This is by no means an exhaustive list of twitterati, but it may be a good start for you. Check out who these folks follow to find many more.

There are several people on her list I wasn’t following whom I added, including Bo Sacks (who surprisingly only has 83 followers?!?!) and Ron Hogan, and I was glad to see my old publisher Soft Skull there, as Richard Nash has a very high signal:noise ratio (something many Twitterers, myself included, haven’t quite figured out yet).

I’ll add to her tips that you can also do a version of Google Alerts on Twitter Search, and get an RSS feed for any topic of interest being discussed on Twitter.

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Awkward Class War Humor

[youtube:http://www.youtube.com/watch?v=Ov3bqmSKW28] Part of me appreciates the wry humor, and part of me is totally offended by the young black mailroom guy playing the lottery. I thinks it's really advertising the lottery itself that's bothering me, as it's basically a sucker tax on the poor, "acceptable" because some of the revenue supposedly goes to schools. Of course, not in direct proportion to the neighborhoods where the most tickets are bought. In these tough times, it's like advertising liquor at an AA meeting.

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