Review: Comic Book Encyclopedia
When I was a kid, encyclopedias were often frustrating for their lack of depth or currency. These days, with the pervasiveness of the internet, the notion of a printed encyclopedia is about as practical as a hand-cranked engine. Nevertheless, Ron Goulart decided to go the throwback route anyway, and compiled his ambitious and admirable, if
Review: DEMO #1-12
[EDIT: Welcome, Larry Young fans! Be sure to also check out my response to what brought you here, here.] I have to admit to having an extreme aversion to hype. I call it the American Beauty-syndrome, in reference to the inexplicable amount of praise that overrated retread of suburban dysfunction received. I saw it three
ménage à trois: 3/2/05
[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.] A bit of an off-week for the Big Two found me scouring the shelves at Midtown Comics
Free Trade Guerrilla: Superman: Secret Identity (TPB)
Intro time: My name is Oscar and where once I was a rabid collector and all-around comic fiend, I have had to calm my obsession down to where I now visit nationwide bookstores and happily use their cafés to help me catch up on what’s happening in the comic book world through trade paperbacks. Not
Review: El Zombo Fantasma (TPB)
Blame it on the Cartoon Network’s Mucha Lucha for my even giving El Zombo Fantasma a second glance. Or credit it, depending, but if not for it, this book wouldn’t have even registered on my radar and that would have been my loss. I’d never heard of El Zombo‘s original 3-issue run, published under Dark
ménage à trois: 2/23/05
[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.] A light week for the Big Two, notable more for releases from their imprints than their mainstream
Comment: Giving the People What They Want
Marvel EIC, Joe Quesada, and his main partner in crime, Brian Michael Bendis, caused a minor tempest in a teapot a couple of weeks ago during Newsarama‘s “Quesadarama” PR stunt that gave Quesada “control” of the site for the week. He posted an entertaining mix of informative and self-indulgent interviews with the likes of Kevin
Review: Greg Rucka, Novelist
I first came across Greg Rucka’s work in Gotham Central, during his Eisner Award-Winning “half a life” story arc (issues #6-10). In it, he puts his protagonist, Detective Renee Montoya, through the ringer in a well-paced, character-driven story of obsession and revenge. I’d only returned to comics less than six months prior at that point
Retro: The Sentry (TPB)
I was still out of comics back in 2000 when Marvel pulled off its Sentry hoax, pretending to have discovered a Silver Age creation of Stan Lee’s that pre-dated even the Fantastic Four, and getting that bastion of reputable comics journalism, Wizard, to go along with the stunt. Purportedly their answer to Superman, but with
Indie Spotlight: February 2005
[From the ridiculous to the random to the superb, a quick roundup of notable indie comics (aka, not Marvel or DC proper, though Vertigo, Icon, Image, et al, do qualify) I picked up in the past month. Release dates may vary.] Realizing a few weeks back that I didn’t have a single Image title on