Running makes me feel good

The good thing about exercising is that once you get over the initial hump of reluctance and pain, it actually becomes a lot of fun. I've always been pretty lucky that, no matter how badly I get out of shape, I usually bounce back pretty quickly once I get serious. In just a month of the gym, I'm already starting to see, and feel, a difference. That said, I didn't make it to the gym at all last week and was a little bummed about it as I was getting into a groove. Today, I used some of the Cybex…

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Fulano, comic books and…porn stars?

Friday’s feature went really well. Ended up being a 20-minute set but, not knowing til the last minute, I’d prepared a flexible enough list beforehand (aka Down the Hatch: 2 beers, atomic wings & waffle fries!) and was pretty comfortable dealing with the time limit. Mixed some really old with some brand new as I opened with Reality, a piece I haven’t done in ages that I was able to edit and memorize in the hour between getting off work and the start of the show. Started it from the audience, a common slam technique for effect, but also a great way to settle one’s own nerves. The equivalent of just jumping in the pool headfirst. I was happy to see that I was quite nervous as Jackie announced the final open micer before the feature and my stomach went all aflutter. I’ve always said the day you stop getting nervous when you get on stage is the day you need to stay off the stage because the privilege has lost its meaning and its importance.

After a brief introduction, I did Fulano, another one I haven’t done in ages. Between the two, I realized I hadn’t grown cynical about slam over the years but, instead, had been that way from the beginning. It’s right there in several of my early poems but no more apparent than Fulano: “to have come so far for this, seems such a waste.” Next, I took a gamble and did my new Batman piece that I wrote and posted here just last week. Thought it read pretty smoothly, especially considering it was the first time out loud! Went with the Army suite next, the poems I wrote this year touching on my time in the service, gave props to the Nuyorican and keith roach (for the benefit of the documentarians) with Nuyorican Memories, and closed with the old standby, Breathless. Thematically, I felt like it was one of my strongest features ever, covering a range of styles, periods and subjects while all flowing together extremely well. The reading itself was pretty good, too, getting a little wacky towards the end as a couple of Columbia and Brown students took to dissing each other in a rather pale (pun intended!) attempt at the dozens.

Nice gig Jackie Sheeler runs there and, if not for the tough time slot, it’s a place I could see myself hitting once or twice a month.

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The Box Monster

There's several milestones in your kid's life that you look forward to, some happily, some with dread. This morning, Isaac hit one of the those. Last night, he discovered the box our latest shipment of Green Mountain Coffee came in (Fair Trade, ahem...) and started playing with it, standing in it, putting his toys in it and finally, putting it on his head. When he started walking around playing his own version of blind man's bluff [remember that game, best played with girls you wanted to feel up?], I decided to cut some eye slits into the box so he…

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Remember the Open Room?

Been sent some interesting names for the show so far, with early favorites Performance Anxiety, Breaking Form and Word of Mouth. Send more.

Haven’t heard back from Jackie Sheeler yet about the length of tomorrow’s feature so I’m getting a little antsy about my set. There’s a big difference between 20, 30 and 45-minute sets. I don’t like 20-minute sets as I never feel like I get in a good rhythm and always have to leave out a couple of my favorite poems. 30-minutes is solid, enough time to present a range of work without feeling rushed. 45-minutes can be daunting as you have to really nail your flow to keep the audience engaged but it’s also a fun challenge. The longer the set, the better feel for a poet’s style and range you get. Three-poem slam wonders generally flounder past 20 minutes as the bombast gets old and the lack of depth becomes more and more apparent.

I’ve been reading through a lot of my old stuff recently and was surprised by how long it’s been since I’ve read some of them out loud. Read Celluloid Childhood at Acentos on Tuesday and, despite the obvious rust, remembered that it was one of my favorite pieces at one point. The combination of pushing for the new in slam with allowing my own output to take a back seat for so many years has left me in the weird position of having to reconnect with almost all of my work as if it were brand new. Hopefully tomorrow is at least a 30-minute set so I can do a nice mix of the old and new. Well, newish! 😉

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What’s in a name?

It's raining again here in NYC. Serious, thunder and lightning, shake the building kind of rain. Got my ass soaked heading up to the Bowery earlier. Everything but my crotch and my hair got wet! Two hours later and I'm still not completely dry. Anyway, I have a favor to ask all you random people that read this thing. I'm working on a new show idea, a monthly format with poets & musicians plus a lot of audience interaction. Think a combination of Pardon the Interruption, Politically Incorrect, Who's Line Is It Anyway and Arsenio Hall. Something like that. It…

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RIP: Celia Cruz

Salomé on Celia Cruz: I just got back from the funeral procession for Celia Cruz. They left the funeral home on 82nd street at 12:30pm and I figured I could wait a little while (since I'm on 55th street) before heading to Fifth Avenue to see her be carried to the mass at St. Patrick's Cathedral. But when I heard on the news that there were 75 THOUSAND people following the procession down Fifth, I decided to just head over there to make sure I could at least get a glimpse of them passing by. When I got to Fifth…

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