So You Have a Platform; Now What?

Abandoned Train Station in San Juan Province, Argentina by redteam

And now blogging is — and very shortly became — something people do do because they are ambitious.

Lizzie Skurnick

When all is said and done, one of my personal highlights from 2010 will undoubtedly be the “Why Keep Blogging?” panel I participated on at SXSW, partly because it was a great session that was very well received, and partly because it introduced me to Lizzie Skurnick, of whom I am now a complete and total fanboy.

The quote above is from a post that represents almost everything I love about the whipsmart and outspoken Skurnick distilled into one wonderfully compelling rant, and it’s a must-read, if only peripherally related to the rest of this post, which is mainly about social media, “platforms” and an article I wrote for the September 2010 issue of Writer’s Digest on 10 questions writers should be asking themselves about the future of publishing.

One of those questions is, “What else am I going to do with MY platform?”

You’re blogging; you’ve amassed a decent number of fans and followers on Facebook/Twitter; you even have a book deal (or for my DIY friends, a formatted book and/or eBook).

Now what?

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On Transmedia and Fan Fiction

make creating a habit by define23

For transmedia novelists (and publishers) to retain creative control will require more than a repurposing of content. This might give a ‘taste’ of what transmedia can ‘do’, but for it to work on all levels it must be intrinsically built in and not bolted on.

Alison Norrington, Transmedia Requires New Breed of Writers, Publishers

Ever since I attended the DIY Days Conference back in April, I’ve become obsessed with the idea of “transmedia” and what it means for both publishers and authors. I’ve even slowly been making it a point of focus over at Digital Book World, where I’ve run some insightful articles by some smart people who are also exploring the idea from a publishing perspective.

While writing an article for the September issue of Writer’s Digest about what writers should be thinking about in the future, transmedia kept popping up in a variety of ways, but the most compelling was the simple fact that it potentially changes the way some writers will go about getting published, especially novelists. Those focused only on getting a book deal (and haggling over eBook royalty percentages) will continue to pursue agents and editors, living a transactional existence while cranking out their 1-2 books/year and struggling with the concept of “platform”.

Savvier writers, though, will realize the full potential of the worlds they’re creating, and look beyond traditional publishing contracts for partnerships that allow them to fully exploit their creations.

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BEA 2010: Maybe it’s just me?

Don't believe the Devil, don't beLIEve his book by Celeste

BEA is North America’s largest gathering of book trade professionals, typically attracting between 20,000 – 30,000 people. Book industry professionals who attend BEA include: booksellers (independent, specialty, and chain); book distributors; marketing and publicity professionals; editors, agents; scouts.  BEA is also attended by assorted film and TV professionals and is covered widely by the media for the attention it brings to upcoming books as well as for the notable authors it attracts to the event itself.

BEA Show Overview

Book Expo America represents a bizarre conundrum for me. Maybe I’m just burned out on publishing conferences, and since I’m not buying or selling books and have never cared about free galleys, it feels less relevant to me personally than some of the other conferences I’ve attended this year.

I don’t know if it’s just too big for me to get a firm grip on, or maybe it’s trying to be too many things to too many people?

This will be my third time attending BEA, and the first time I’m attending more than one day, and by all rights it should feel like Book Nerd Nirvana, akin to how I felt about the first NY Comic-Con (was that REALLY back in 2006?!?!), but in reality, it just feels like three really long days of extra work standing between me and the holiday weekend. (more…)

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Writers Write, Even When They Don’t Realize It

Random Numbers by darkmatter

The only thing I was fit for was to be a writer, and this notion rested solely on my suspicion that I would never be fit for real work, and that writing didn’t require any.

–Russell Baker

That Baker quote has been on my About Page forever, but I only just recently realized its irony as this blog has once again gone silent for another unreasonably long period as my time and attention have been pulled elsewhere. I’ve had several good ideas and intentions for posts since the last time I blogged here in mid-April,  but they’ve all either ended up over at Digital Book World, or I simply never got around to writing them because, well, writing requires “real work” and Battle for Wesnoth is a better way to unwind at 11pm than attempting to put together a coherent post.

Reading can be “real work” sometimes, too, so I’ve found myself getting back into magazines, comic books and anthologies for their short bursts of escape, unable to commit to a full-length novel. As a result, Bolano’s 2666 mocks me from the bottom of my to-read pile whenever I pick up the latest issue of Monocle, the latest volume of Fables, or the Forgotten Realms anthology Realms of the Dead, from the top of the pile.

Even work you enjoy takes time, and as much as I’d love to be one of those writers who can set aside a specific amount of time each day for writing, I have too many other things on my plate, including… writing.

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Killer iPad Apps: ComiXology

  It's been two weeks since Steve Jobs' "magical and revolutionary" device officially went from fascinating Rorschach test to tangible consumer appliance, and while some of the hype around it being the savior of book, magazine and newspaper publishing has thankfully died down, there's no debating that Apple's App Store has had a significant impact on how we value and consume digital content. That impact will likely increase with the introduction of the iPad, and it's especially noteworthy for publishers who are looking to iBooks and the "agency model" to counter Amazon's pegging $9.99 as the benchmark for eBooks. Savvy…

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Thinking About New Orleans #mojogce

Group creativity experiment: 1 - "Litanie des Saints," Dr. John I've always felt a personal connection to New Orleans. My mother's family lived in Baton Rouge for a long time, and I spent a few summers down there as a kid. I remember one summer coming back home with a slight accent that never fully disappeared and slips through whenever I've had a couple of drinks too many. The Big Easy is still one of my favorite movies, long after I got over my Ellen Barkin crush, and it was also the name of the first restaurant I worked at…

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