Reflections on, Takeaways from #eBookSummit

mediabistro.com eBook Summit in New York by Mediabistro
mediabistro.com eBook Summit in New York by Mediabistro

“I suppose we could sum up this entire two-day conference under the headline ‘too early to tell.'”

–Steve Wasserman (Kneerim & Williams)

I attended MediaBistro’s eBook Summit this week and Wasserman’s summation is perfect; consumer book publishing is smack in the middle of the digital transition, and solid answers about how it will all play out are hard to come by. That doesn’t mean, of course, that there aren’t plenty of people willing to throw their two cents (and millions of VC dollars) into the conversation.

While ostensibly a competitive event with Digital Book World, my sense was that both the program and attendees were very different from ours — the former more theoretical and broader; the latter… well, just different, I’d say. There’s clearly room for both events, which I was actually glad to see, because I’m a fan of MediaBistro and I don’t want the wonderful Carmen Scheidel getting mad at me after we just became friends!

I live-tweeted both days of the Summit — Day 1 and Day 2 (sorry LiveJournal friends!) — and after cleansing my palette by reading more of the latest issue of Monocle (an absolutely beautiful example of what can and should be done only in print), here’s my top five takeaways:

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5 Things Books Should Learn From Magazines

Like my favorite writers, the magazines I truly value introduce me to new things, or show me new angles on the familiar, that I'd not have come across on my own. In my own series of posts for Folio: a few months back, I made the point that content + context = value, declaring that magazines that nail the equation will survive. That same math is also valid in the conversation about the future of books.

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eBooks: The False Dilemma

People will continue to read printed books for a long time, just as some people still watch movies on VHS. But the printed book will be "dead" in a few short years in the sense that the bulk of the adoption curve, the pragmatic majority, will have moved on. --Arvind Narayanan, "The death of the printed book is closer than you think" Narayanan's post is the latest addition to the tiresome "print is dead" meme, and like the vast majority of digital evangelists, he presents a false dilemma, posits a zero-sum scenario, and evokes the tired and largely irrelevant example…

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Dialect of a Skirt by Erica Miriam Fabri

Erica is a great poet, one whose work I’ve had the pleasure of publishing in Spindle; she’s also a friend, so take my recommendation (and criticism) with a grain of salt. Generally speaking, I prefer my poetry a la carte or in thematic anthologies; I’m not a fan of individual collections of poetry unless a poet has a significant body of work that can be editorially curated with an unbiased eye. Erica Miriam Fabri’s Dialect of a Skirt (Hanging Loose Press, 2009) is a welcome exception to my rule; while arguably 10-15 pages longer than necessary, it’s an engaging collection…

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Everything You Thought You Knew is Wrong

Earth time. by A National Acrobat
Earth time. by A National Acrobat

And this is what surprises me. Harlequin, you’re brilliant. You’ve made nothing but all the right steps in all these decades of publishing. You flourish where others founder. You took a great (welcome) leap with Carina, but this? This displays the business sense of a kindergartner.

–Moriah Jovan, Harlequin: Ur doin it rong

How fast is the publishing industry changing?

Two weeks ago, I praised Harlequin for their new digital-only imprint, Carina Press, noting that its business model, while not “new” by any stretch, was a great leap into the future for a traditional publisher to make, especially a well-established leader in its niche. Commentary about the new initiative was mostly positive all around, and purely measured on buzz, its announcement was a PR success.

Last week, they got a noticeably different response to another new initiative, the launch of a self-publishing program under the banner Harlequin Horizons, in partnership with Author Solutions, Inc.. The backlash was fast and furious  from both the Romance Writers Association and several outspoken members of the romance community, including Jackie Keesler, whose “Harlequin Horizons versus RWA” post is a must-read.

By almost any definition, last week was a PR disaster for Harlequin, but for authors, it was just the latest sign that everything you thought you knew about publishing  is wrong.

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My Next Tattoo?

The 100 Greatest Movie Characters | Empire | 79. Boba Fett “Before his back story was rewritten, Boba Fett was the coolest thing in the Star Wars universe that wasn’t played by Harrison Ford.” I’ve been trying to decide what my next tattoo would be for about 3-4 years, and have wavered between text and image. I recently saw a very cool tattoo of Boba Fett, my favorite character in Star Wars, and easily one of my Top 10 favorite characters ever. Pop culture tattoos can be really corny, though; plus, the one I saw was likely no less than…

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