On comics and other pop culture topics, including archived Comic Book Commentary posts from 2005-2007.

Interview: Joe Field on Free Comic Book Day

Who doesn't like free comic books? On Saturday, May 7th, 2005, participating comic book shops across North America and around the world will be giving away comic books from more than 25 different publishers absolutely free to anyone who comes into their stores, as part of the 4th Annual Free Comic Book Day, celebrating "an original American art form." "The selection of titles is a testament to the diversity in the industry," says Diamond Comic Distributors Marketing Communications Manager and Free Comic Book Day Committee spokesperson, Barry Lyga. "More than anything else, Free Comic Book Day exists to show that…

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Interview: Dabb on Atomika

Andrew Dabb is a busy man. Between writing Megacity909 and Mu for Studio Ice/Devil's Due, and Ghostbusters for 88mph Studios, you'd think his plate was full enough. But starting this March, he teams up with artist Sal Abbinanti for Atomika, "a groundbreaking story of men, supermen and the forces that shape our reality," set in an alternate future where Russia won the space race, the arms race, and eventually, the inevitable war with the USA, and where technology is God. I caught up with him online... Comic Book Commentary: Atomika - the 30-second pitch? Andrew Dabb: Atomika is an alternate…

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Review: Fade From Grace #1-4

If there's ever been a comic book that was the perfect gift for a comic book geek to give his non-comic book-reading girlfriend, Fade From Grace would be it. Elegantly written, and beautifully illustrated, it's a four-color "chick flick" that any self-respecting fan of quality comic books would love. Fade works on two levels, first as a traditional origin story following our hero, John, as he develops super powers - the ability to control his density - while saving his girlfriend Grace from her burning apartment. The first three issues follow John as he learns to control his powers and,…

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Interview: O’Reilly on Arcana Studio, Part II

In Part I of this two-part interview, Arcana Studio's Publisher, Sean Patrick O'Reilly talked about Arcana's successful first year, what really happened with Ant and Image, how Ezra became their most popular title, and what it takes to succeed in the comic book business. Today in Part II, we take a peek into Arcana's future, talking more about marketing, the pros and cons of Free Comic Book Day, and get an exclusive announcement about, and sneak peek at, their newest title, The Assassin. Comic Book Commentary: Looking to the future, you have six new titles listed as coming soon on…

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Interview: O’Reilly on Arcana Studio, Part I

In the midst of my ever-growing pull list, there is an elite group of comic books that rank as Must-Buys, even if it means eating Ramen for lunch all week! Two of the books currently in that group are published by Arcana Studio, the fledgling Canadian indie that is home to 100 Girls and Ezra. "Arcana Studio was formed in 2004 by Sean Patrick O'Reilly...with a vivid dream and much ambition." Coming off of a successful first year, I caught up with O'Reilly online last night, still recovering from his trip to this weekend's Emerald City ComiCon. Two hours later,…

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Review: Black Panther #1

The opening story arc is called “Who is the Black Panther” for a reason, and it is for that reason that T’Challa, the Black Panther most people know, does not appear in this issue. In fact, while writer Reginald Hudlin has said he’d be using elements of Christopher J. Priest’s critically-acclaimed, if not overwhelmingly supported, run, it seems that he’s looking to make good on his promise that “by the end of the second arc, the character will never be seen the same way again.”

So far, so good.

While most comic book fans know the Black Panther by name, relatively few know much about him, never mind the fact that “he” is not a single person, but a position of power and honor that is handed down from generation to generation, the leader of his people. As such, complaints about T’Challa not appearing in the issue miss the point. Wakanda is as much a part of the Black Panther’s identity as Uncle Ben is to Spider-Man’s, so it makes sense that Hudlin takes the time to explore its history first, offering a stronger context to present the Panther to a new, and hopefully larger, audience. More than makes sense, I’d say it’s crucial to the success of his intended elevation into the upper echelon of the Marvel Universe where he belongs.

My favorite scene was the racist General sputtering “BULL!” in response to Everett K. Ross’ story of how the Black Panther defeated Captain America during WWII. And how he has to be restrained as Ross adds, “If it makes you feel better, he beat the Fantastic Four…” It reminded me of the internet fanboys getting all up in arms, as if there was some dishonor in Cap being beaten by the Panther. Brought a wry smile to my lips.

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Comment: Being Black in a Four-Color World

It's an old joke: Why is Black History Month the shortest month of the year? There's no punchline to that one, of course. The question is the joke. In time for Black History Month 2005, Marvel Comics is relaunching the Black Panther in his own series, his fifth including the short-lived, unfortunately-titled but highly-regarded Jungle Action in 1974, by Don McGregor and Billy Graham; and his most recent eponymous incarnation, under the Marvel Knights imprint, which lasted six years under the redefining direction of writer Christopher J. Priest and a passel of artists, before ending in September 2003. This time…

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