Reviews of books, comics, movies, and other random stuff.

Indie Spotlight: February 2005

[From the ridiculous to the random to the superb, a quick roundup of notable indie comics (aka, not Marvel or DC proper, though Vertigo, Icon, Image, et al, do qualify) I picked up in the past month. Release dates may vary.]Realizing a few weeks back that I didn't have a single Image title on my regular pull list, I decided to shine the spotlight squarely on them this month, taking a look at five of their newest books: Beyond Avalon, Freedom Force, Mora, and, via their Two Bits sampler, previews of The Imaginaries and Lullaby. A mixed bag overall, qualitatively…

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ménage à trois: 2/16/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.]It was all about the Distinguished Competition this week as Marvel's output was overshadowed by the terribly lame, terribly short-sighted conclusion to Mark Millar's "Enemy of the State" story arc in Wolverine. I'm officially boycotting anything he's involved with! Their one saving grace came thanks to Brian K. Vaughan and the first issue of Volume 2 of Runaways. On the flip side, a…

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Review: Fade From Grace #1-4

If there's ever been a comic book that was the perfect gift for a comic book geek to give his non-comic book-reading girlfriend, Fade From Grace would be it. Elegantly written, and beautifully illustrated, it's a four-color "chick flick" that any self-respecting fan of quality comic books would love. Fade works on two levels, first as a traditional origin story following our hero, John, as he develops super powers - the ability to control his density - while saving his girlfriend Grace from her burning apartment. The first three issues follow John as he learns to control his powers and,…

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ménage à trois: 2/9/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.]It was a strong week for indies big and small, overshadowing the Big Two's output as everything from Grant Morrison's entertaining oddball, Vinamarama, to the intriguing Captain Gravity and the Power of the Vril, to the satsifying conclusions of Lurkers and Ezra made into my stack. The announcement of Ed Brubaker's signing an exclusive with Marvel finally tempted me into checking out his…

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Review: Ant: Days Like These (TPB)

There's a perennial debate on which creative setup works best in comics, the collaboration or the solo creator. With superior examples on both sides, of course, there is no definitive answer, but for every good example, there's at least as many bad ones. Creator/writer/artist Mario Gully's intriguing concept - eight-year old Hannah Washington creates an imaginary world in her journal, a world where she is the powerful superhero known as Ant, a world that may not be as imaginary as it seems - has lots of potential, but, unfortunately, it qualifies as Exhibit A for the case against solo work;…

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ménage à trois: 2/2/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.]A light week for the big two, highlighted by the already reviewed return of the Black Panther, and solid entries from the New Avengers (#3) and Adam Strange (#5), I've decided to break format completely and review a trio of comic book magazines instead. Fanzines are a crucial aspect of any hobby and their quality, or lack thereof, is generally an indicator of…

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Review: Black Panther #1

The opening story arc is called “Who is the Black Panther” for a reason, and it is for that reason that T’Challa, the Black Panther most people know, does not appear in this issue. In fact, while writer Reginald Hudlin has said he’d be using elements of Christopher J. Priest’s critically-acclaimed, if not overwhelmingly supported, run, it seems that he’s looking to make good on his promise that “by the end of the second arc, the character will never be seen the same way again.”

So far, so good.

While most comic book fans know the Black Panther by name, relatively few know much about him, never mind the fact that “he” is not a single person, but a position of power and honor that is handed down from generation to generation, the leader of his people. As such, complaints about T’Challa not appearing in the issue miss the point. Wakanda is as much a part of the Black Panther’s identity as Uncle Ben is to Spider-Man’s, so it makes sense that Hudlin takes the time to explore its history first, offering a stronger context to present the Panther to a new, and hopefully larger, audience. More than makes sense, I’d say it’s crucial to the success of his intended elevation into the upper echelon of the Marvel Universe where he belongs.

My favorite scene was the racist General sputtering “BULL!” in response to Everett K. Ross’ story of how the Black Panther defeated Captain America during WWII. And how he has to be restrained as Ross adds, “If it makes you feel better, he beat the Fantastic Four…” It reminded me of the internet fanboys getting all up in arms, as if there was some dishonor in Cap being beaten by the Panther. Brought a wry smile to my lips.

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