ménage à trois: 2/9/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.]It was a strong week for indies big and small, overshadowing the Big Two's output as everything from Grant Morrison's entertaining oddball, Vinamarama, to the intriguing Captain Gravity and the Power of the Vril, to the satsifying conclusions of Lurkers and Ezra made into my stack. The announcement of Ed Brubaker's signing an exclusive with Marvel finally tempted me into checking out his…

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Interview: O’Reilly on Arcana Studio, Part II

In Part I of this two-part interview, Arcana Studio's Publisher, Sean Patrick O'Reilly talked about Arcana's successful first year, what really happened with Ant and Image, how Ezra became their most popular title, and what it takes to succeed in the comic book business. Today in Part II, we take a peek into Arcana's future, talking more about marketing, the pros and cons of Free Comic Book Day, and get an exclusive announcement about, and sneak peek at, their newest title, The Assassin. Comic Book Commentary: Looking to the future, you have six new titles listed as coming soon on…

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Interview: O’Reilly on Arcana Studio, Part I

In the midst of my ever-growing pull list, there is an elite group of comic books that rank as Must-Buys, even if it means eating Ramen for lunch all week! Two of the books currently in that group are published by Arcana Studio, the fledgling Canadian indie that is home to 100 Girls and Ezra. "Arcana Studio was formed in 2004 by Sean Patrick O'Reilly...with a vivid dream and much ambition." Coming off of a successful first year, I caught up with O'Reilly online last night, still recovering from his trip to this weekend's Emerald City ComiCon. Two hours later,…

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Review: Ant: Days Like These (TPB)

There's a perennial debate on which creative setup works best in comics, the collaboration or the solo creator. With superior examples on both sides, of course, there is no definitive answer, but for every good example, there's at least as many bad ones. Creator/writer/artist Mario Gully's intriguing concept - eight-year old Hannah Washington creates an imaginary world in her journal, a world where she is the powerful superhero known as Ant, a world that may not be as imaginary as it seems - has lots of potential, but, unfortunately, it qualifies as Exhibit A for the case against solo work;…

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ménage à trois: 2/2/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.]A light week for the big two, highlighted by the already reviewed return of the Black Panther, and solid entries from the New Avengers (#3) and Adam Strange (#5), I've decided to break format completely and review a trio of comic book magazines instead. Fanzines are a crucial aspect of any hobby and their quality, or lack thereof, is generally an indicator of…

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Review: Black Panther #1

The opening story arc is called “Who is the Black Panther” for a reason, and it is for that reason that T’Challa, the Black Panther most people know, does not appear in this issue. In fact, while writer Reginald Hudlin has said he’d be using elements of Christopher J. Priest’s critically-acclaimed, if not overwhelmingly supported, run, it seems that he’s looking to make good on his promise that “by the end of the second arc, the character will never be seen the same way again.”

So far, so good.

While most comic book fans know the Black Panther by name, relatively few know much about him, never mind the fact that “he” is not a single person, but a position of power and honor that is handed down from generation to generation, the leader of his people. As such, complaints about T’Challa not appearing in the issue miss the point. Wakanda is as much a part of the Black Panther’s identity as Uncle Ben is to Spider-Man’s, so it makes sense that Hudlin takes the time to explore its history first, offering a stronger context to present the Panther to a new, and hopefully larger, audience. More than makes sense, I’d say it’s crucial to the success of his intended elevation into the upper echelon of the Marvel Universe where he belongs.

My favorite scene was the racist General sputtering “BULL!” in response to Everett K. Ross’ story of how the Black Panther defeated Captain America during WWII. And how he has to be restrained as Ross adds, “If it makes you feel better, he beat the Fantastic Four…” It reminded me of the internet fanboys getting all up in arms, as if there was some dishonor in Cap being beaten by the Panther. Brought a wry smile to my lips.

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Comment: Being Black in a Four-Color World

It's an old joke: Why is Black History Month the shortest month of the year? There's no punchline to that one, of course. The question is the joke. In time for Black History Month 2005, Marvel Comics is relaunching the Black Panther in his own series, his fifth including the short-lived, unfortunately-titled but highly-regarded Jungle Action in 1974, by Don McGregor and Billy Graham; and his most recent eponymous incarnation, under the Marvel Knights imprint, which lasted six years under the redefining direction of writer Christopher J. Priest and a passel of artists, before ending in September 2003. This time…

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