Comics

An arm with a tattoo: "I was made for the library, not the classroom."

Can Digital Expand the Audience for Comic Books?

From a fragile network of brick-and-mortar direct market retailers and the often fickle tastes of hardcore, social media-savvy fans, to online piracy and the tantalizing possibilities of the iPad, comic books have been out on the bleeding edge of the digital transition for years.

While some comics publishers have had success expanding beyond the limited (but non-returnable) direct market into mainstream bookstores, ICV2 reports the first half of 2010 saw continued challenges in the once-booming graphic novel market. Manga, which represented 35% of all the graphic novels released in the U.S. in 2009 and accounted for a similar percentage of sales in the category, has been hit especially hard:

Graphic novel sales in the direct market have declined by double digits every month in 2010 so far with the exception of February, when they posted a 1% gain.

Graphic novel sales appear to be down in the bookstores as well with Yen Press’ Twilight graphic novel the only breakout hit.  The other bestselling movie-driven graphic novel in the first half of 2010, Marvel’s Kick-Ass Hardcover posted sales that were less than 10% of what Watchmen achieved during the same period in 2009…

After two years of double digit declines in sales of manga, American manga publishers have formed a coalition with their Japanese counterparts to battle the illegal Internet distribution of unlicensed manga via scanlation sites where translated versions of manga often appear just days after publication in Japan.  The coalition has had some success in shutting down some of the main aggregator sites, though it’s far too early to see if sales will be boosted by making it somewhat more difficult to read manga for free online.

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An arm with a tattoo: "I was made for the library, not the classroom."

Killer iPad Apps: ComiXology

  It's been two weeks since Steve Jobs' "magical and revolutionary" device officially went from fascinating Rorschach test to tangible consumer appliance, and while some of the hype around it being the savior of book, magazine and newspaper publishing has thankfully died down, there's no debating that Apple's App Store has had a significant impact on how we value and consume digital content. That impact will likely increase with the introduction of the iPad, and it's especially noteworthy for publishers who are looking to iBooks and the "agency model" to counter Amazon's pegging $9.99 as the benchmark for eBooks. Savvy…

Continue ReadingKiller iPad Apps: ComiXology
An arm with a tattoo: "I was made for the library, not the classroom."

Christopher Nolan’s Joker Problem

Heath Ledger as the Joker

No matter who wins the Oscar for Best Supporting Actor three weeks from now, Christopher Nolan has a serious dilemma in front of him as he decides where to go with his inevitable third installment in the juggernaut Batman franchise.

To Joker, or Not To Joker?

Even if he hadn’t received a single award nomination for his performance, Heath Ledger left behind some huge shoes to fill with his breathtaking spin on Batman’s best-known and, arguably, best-loved villain. It’s pretty clear that Nolan intended to bring him back for the next movie, and not just for a brief Scarecrow-like cameo Cillian Murphy made in Dark Knight.

So now, he has an unenviable decision in front of him, whether to leave the Joker out of the next movie completely and focus on other villains, or take a risk recasting him and get a similarly astonishing performance out of someone who can expect to have every syllable and tic scrutinized by critics and fanboys alike.

My first instinct was that he should move on, offering a quick explanation that the Joker is locked away in Arkham Asylum, maybe edit in 15 seconds from Dark Knight to honor Ledger, and focus on a new arch-villain like…

Well, there’s the problem.

Catwoman?

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An arm with a tattoo: "I was made for the library, not the classroom."

Outrage, Humor, Context

Burn, baby, burn
Burn, baby, burn

David Brothers was one of the smartest comics bloggers on the scene a few years back when I was at my peak of following the industry, and he’s remained one of the few whom I still follow despite my current pull list being a shadow of its former self.

[Side note: Have to get to Midtown soon before they cancel my bare-minimum pull list again. Particularly looking forward to Joshua Dysart’s Unknown Soldier.]

He has a great post up at his site, 4thLetter, called SuperHHero KKKomics 200Hate: A Year In Review, an exponentially more substantiative response to the knee-jerk (but cleverly illustrated) 2008: The Year of Misogyny, that starts as a typical rant about the poor treatment of blacks in comics, but quickly becomes something much, much better.

Some of my favorite highlights of 200Hate include:

Barack Obama– leader of Dark Reign, gullible enough to trust Norman Osborn
Crispus Allen– killed his own son, has to have some old white lady re-ignite his faith in God after he tries to kill his best friend for being a lesbian, probably Pro Prop 8, forced to wear goatee as racial identifier, likely never-nude
Falcon– lost his best friend, hasn’t appeared in Captain America lately, was set on fire once
Manhattan Guardian– tossed aside the second a WHITE Guardian shows up
Martian Manhunter– murdered with a spear (martians count as black, see also Lil Wayne “We are not the same, I am a martian”)
Spawn– blows own head off in own comic, promoting the suicide of strong and proud black men
Spawn (Michael Jai White)– Killed by the Joker in The Dark Knight, movie goes on to make a billion dollars
Storm– taken from high profile X-Men appearances to be a supporting character in some lower-selling book, forced into arranged marriage, needs Emma Frost (who once enslaved her) to call her names just so she can feel like she belongs somewhere
Tyler Perry– still not invited to write a Black Panther story where T’Challa remembers how his big grandma was the one that scared him into following the path of the warrior, leaving untold the story of Bg’mama, the true power of wakanda

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Continue ReadingOutrage, Humor, Context
An arm with a tattoo: "I was made for the library, not the classroom."

Review: The Incredible Hulk

The Incredible Hulk
The Incredible Hulk

I skipped The Incredible Hulk in theaters because I was fully expecting to be disappointed, but my son really wanted to see it and Iron Man was unexpectedly good, so we picked up the DVD and I was pleasantly surprised.

Ed Norton isn’t as dynamic an actor as Robert Downey, Jr., unlikely to carry a blockbuster superhero movie on his own shoulders, but he brings the right level of intensity to the Hulk’s conflicted alter ego, Bruce Banner, that combined with some precision casting — and, according to several rumors seemingly backed up by many of the DVD’s bonus features*, exerting influence far beyond his own character — makes for a movie that is greater than the sum of its parts.

Tim Roth and William Hurt shine in their roles, and Liv Tyler manages to escape the confines of the cliché “female interest” as she and writer Zak Penn (who takes an impressive step forward from Fantastic Four and X-Men: The Last Stand) make her character work as the emotional centerpiece of the story.

It’s a well-paced action movie with just the right dash of drama — many of the deleted scenes featuring psychiatrist Dr. Samson are deservedly so — and the CGI Hulk and Abomination are even more impressive than last year’s Transformers triumph, especially their final battle which is arguably the best balls-to-the-wall fight scene put to film in recent years.

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An arm with a tattoo: "I was made for the library, not the classroom."

Apology Unnecessary

The K Chronicles: Tales From the Campaign Trail
The K Chronicles: Stories From the Campaign Trail

There’s a bit of a tempest in a teapot happening over at Montclair State University thanks to a “controversial” episode of the Keith Knight comic strip, The K Chronicles, that was published last week in the student newspaper, the Montclarion, and included the word “nigger”.

Twice!

Well, kind of…

Seemingly lost on most of those in a tizzy over the strip (reading some of the comments is just one more reason to not take anything for granted before the election results are in and officially certified) is the fact that Knight was simply repeating a story told by a canvasser in Western Pennsylvania, where conventional wisdom has it that people are simply too racist to support Obama, as evidenced partly by Hillary Clinton’s thumping him out there during the primary.

It’s a story that’s been referenced in several places over the past week or so, and Knight’s take on it was simply addressing what has become one of the more fascinating sub-plots of this election as the economy has taken center stage and helped turn John McCain’s ill-conceived selling of his soul campaign into a sputtering hot mess: Racists for Obama.

“I wouldn’t want a mixed marriage for my daughter, but I’m voting for Obama,” the wife of a retired Virginia coal miner, Sharon Fleming, told the Los Angeles Times recently.

One Obama volunteer told Politico after canvassing the working-class white Philadelphia neighborhood of Fishtown recently, “I was blown away by the outright racism, but these folks are … undecided. They would call him a [racial epithet] and mention how they don’t know what to do because of the economy.”

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An arm with a tattoo: "I was made for the library, not the classroom."

The Most Fantastic Genre

[youtube:http://www.youtube.com/watch?v=_ZGqSRtDbEw]

PopCultureShock posted this great little clip about the new Blue Beetle — Mexican-American Jaime Reyes — and Junot Diaz’ Oscar Wao, wherein Diaz notes:

“The most fantastic genre can’t keep up, or refuses to keep up, with how much our country has changed. And so people can dream about aliens, and they can dream about all sorts of things and magical rings, but they can’t dream about brown and black people being protagonists, you know?  It’s remarkable.”

Diversity in comics remains a tough slog — Firestorm was cancelled, Blue Beetle doesn’t sell very well and what ever happened to the much-hyped lesbian Batwoman series? — and the DC Universe has historically been much whiter than Marvel’s, but the first two years of Blue Beetle proved that minority superheroes could carry a series — from a quality perspective, at least — as long as the writer and artist focused on telling good, entertaining stories.

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