Three Rules for the National Poetry Slam
Eleven years ago next month, in Austin, TX, I took one of the most life-changing thrill rides ever when I attended my first National Poetry Slam, as a member of the 1998 team representing the Nuyorican Poets Café that would go on to become their first (and still only) team to win the Championship. The
Platform 201 for Busy Writers: 1,000 True Fans
A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author – in other words, anyone producing works of art – needs to acquire only 1,000 True Fans to make a living. —Kevin Kelly, 1,000 True Fans The “1,000 True Fans” theory states, effectively, that 1,000 literal fanatics each spending $100/year
Review: GROUNDSWELL, by Charlene Li and Josh Bernoff
Solid info and insights, coupled with clear (if sometimes incomplete) case studies make GROUNDSWELL: Winning in a World Transformed by Social Technologies (Harvard Business School Press; 2008) ideal for the C-Suite skeptic and those trying to influence their embrace of socialization. Published last year, and working primarily from data collected in 2007, it holds up
Platform 101 For Busy Writers: 3 Simple Steps
“The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you’ll need later.” —Seth Godin In an era of immediate gratification and information overload, patience is something few
Sorry, but Chris Brogan is no Warren Buffett
“the social media echo chamber is starting to crumble” —David Armano, Senior Partner, Dachis Corp Depending on whom you choose to interact with on Twitter, it can easily seem like an echo chamber, and the release of a “report” last week declaring “It’s Official: Fortune 100 CEOs are Social Media Slackers” did nothing to change that perception. The research found that
Crowds vs. Gatekeepers: Not a Zero-Sum Game
“It’s bullshit! Crowds have terrible taste… If you let the people decide, then nothing truly adventurous ever gets out. And that’s a problem.” –Christopher R. Weingarten (@1000TimesYes), #140Conf Speaking at the 140 Characters Conference — a brazenly opportunistic affair best described as “a meeting of Twitter Early Adopters Anonymous” and the “biggest circle jerk of
Starbucks, I Done You Wrong! #smwin
One of the great things about “social media” is the ability to engage in conversations with a variety of people, anywhere in the world, on pretty much any topic of interest, no matter how obscure or inane. Thanks to forums, blogs and Facebook, I’ve connected with poets, writers, comic book fans and creators, and re-connected
What New Media Can Learn From Slam Poetry
“I have just read the immortal poems of the ages and come away dull. I don’t know who’s at fault; maybe it’s the weather, but I sense a lot of pretense and poesy footwork: I am writing a poem, they seem to say, look at me! Poetry must be forgotten; we must get down to
6Qs: Maria Schneider, Editor Unleashed
“I don’t know if there’s any light at the end of the tunnel for publishers, but I think the future for writers is bright.” –Maria Schneider, Editor Unleashed I had the pleasure of working with the Editor Unleashed herself, Maria Schneider, for about 18 months, back when we were both with Writer’s Digest — as Editor
Stop Interrupting; Listen, Engage, Earn Attention
You know the stereotype of the guy on the first date who can’t stop talking about himself, only to wonder why he doesn’t get a kiss at the end of the night, never mind a second date? That guy is like advertising. In the latest flare-up of the “print is dead” debate, Michael Josefowicz’ provocative