Sorry, but Chris Brogan is no Warren Buffett

tunnel vision by Tommy Ellis
tunnel vision by Tommy Ellis

“the social media echo chamber is starting to crumble”
David Armano, Senior Partner, Dachis Corp

Depending on whom you choose to interact with on Twitter, it can easily seem like an echo chamber, and the release of a “report” last week declaring “It’s Official: Fortune 100 CEOs are Social Media Slackers” did nothing to change that perception.

The research found that the vast majority of Fortune 100 CEOs (Warren Buffett, Allan Lafley, Kenneth Chenault, Mary Sammons, et al) aren’t using most, if any, social networking tools, and came to a rather ridiculous, naive conclusion:

In our opinion, the top CEOs appear to be disconnected from the way their own customers are communicating.  They’re giving the impression that they’re disconnected, disengaged and disinterested. No doubt regulations such as Sarbanes Oxley and Reg-FD make CEOs cautious about comunicating freely, they’re missing a fabulous opportunity to connect with their target audience.

Conducted by ÜBERCEO — a TMZ-ish wannabe that claims to offer “the latest news, commentary, rumor and discussion about all things CEO” (noting they’re “about” CEOs, not “for” them) — one of the most glaring flaws in their “analysis’ is their definition of target audience, an antiquated term the social media “revolution” is supposed to have done away with.

There are some wonderful social media tools that have enabled people to communicate across boundaries; to broadcast their opinions, beliefs and experiences to the world; to “interact” with celebrities, representatives of their favorite brands, and other like-minded people; and, sometimes, even to sell each other stuff. But at its core, social media isn’t about connecting businesses, or their CEOs, to “target audiences” — it’s about people communicating with each other.

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Crowds vs. Gatekeepers: Not a Zero-Sum Game

Mediocrity by mercurialn
Mediocrity by mercurialn

“It’s bullshit! Crowds have terrible taste… If you let the people decide, then nothing truly adventurous ever gets out. And that’s a problem.”

–Christopher R. Weingarten (@1000TimesYes), #140Conf

Speaking at the 140 Characters Conference — a brazenly opportunistic affair best described as “a meeting of Twitter Early Adopters Anonymous” and the “biggest circle jerk of nothingness” — Weingarten’s rant has been called elitist by some, but it reiterated a point I’ve been harping on for a while now: the “wisdom of the crowds” is overrated.

The mythical “crowds” give us the bland mediocrity that dominates the bestseller lists in books and music, Hollywood’s Box Office and Nielsen’s TV ratings, at local poetry slams and on the crowded shelves of bodegas across the country! Of course, the flip side of that argument is that in every one of those examples, there’s a gatekeeper involved — a publisher, producer, writer, curator, marketer or buyer — giving the crowd what [they think] they want.

Times are changing and appealing to mediocrity isn’t quite as profitable as it used to be; the over-leveraged, over-extended, value-extracting publishers that have thrived on it for years are in trouble because they’re simply too big to change direction. Most of them will be gone or unrecognizably splintered in the next 5-10 years, and good riddance!

Make no mistake about it, however, you are committing an act of rebellion with every new channel you support. The record labels and major networks are starting to realize they cannot make money anymore. Soon they will realize the nagging truth that some of us have been shouting from the town square for years: The artists and the fans no longer need them… YOU are my record label.

–Matthew Ebel, You Are The Revolution

Hyperbole aside, Ebel’s point is a valid one. As has been noted ad nauseum lately, the Internet has leveled the playing field, theoretically enabling everyone to be a publisher, a marketer, a critic and a consumer. The democratization of the gatekeeper’s role hasn’t led to the increased creation nor consumption of quality content, though; quite the opposite, actually.

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Starbucks, I Done You Wrong! #smwin

Starbucks is more socially responsible than I thought.
Starbucks is more socially responsible than I thought.

One of the great things about “social media” is the ability to engage in conversations with a variety of people, anywhere in the world, on pretty much any topic of interest, no matter how obscure or inane. Thanks to forums, blogs and Facebook, I’ve connected with poets, writers, comic book fans and creators, and re-connected with friends and family, past and present, most of whom I don’t get to see nearly as often as I used to. My.BarackObama.com pulled me deeper into a political campaign than I’d ever been.

On Twitter, the shiny objet du jour, I’ve connected with insightful marketing and publishing professionals with whom I’ve had many interesting conversations and from whom I’ve learned a lot.

From a marketing perspective, new social media tools offer an incredible opportunity for companies to engage with customers (and potential customers) on a level that old-school interruption advertising and media relations simply can’t come close to. While some choose to avoid them completely or approach them tactically for preemptive damage control, I prefer to see them enabling proactive engagement, joining the community and participating in the conversation, no matter which direction it goes… and sometimes it can go in unfortunate directions, as Amazon found out a few weeks ago.

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What New Media Can Learn From Slam Poetry

"I have just read the immortal poems of the ages and come away dull. I don't know who's at fault; maybe it's the weather, but I sense a lot of pretense and poesy footwork: I am writing a poem, they seem to say, look at me! Poetry must be forgotten; we must get down to raw paint, splatter." Charles Bukowski Confession: I loathe most formal poetry. Sestinas, sonnets, terza rimas, oh my! While I appreciate the exercise of writing in a particular form, the end result is usually a self-indulgent bit of forgettable wordplay rarely worth reading, never mind hearing…

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6Qs: Maria Schneider, Editor Unleashed

Maria Schneider, Editor Unleashed
Maria Schneider, Editor Unleashed

“I don’t know if there’s any light at the end of the tunnel for publishers, but I think the future for writers is bright.”

–Maria Schneider, Editor Unleashed

I had the pleasure of working with the Editor Unleashed herself, Maria Schneider, for about 18 months, back when we were both with Writer’s Digest — as Editor (her) and Ad Director (me) — and am happy to still call her a friend despite no longer being corporate colleagues and with more than 600 miles separating us.

Maria is a smart, savvy writer AND editor, who understands the difference between the two, and who fully grasps the integrated world publishing has become, able to speak fluently in print and digital. Her ability to brainstorm new ideas that work from multiple angles without ever compromising her editorial integrity made my job much easier, and her outspoken, engaging personality has always been refreshing.

Her openness to new ideas and engaging personality allowed her to hit the ground running when she left Writer’s Digest last year, immediately launching her own website on October 8, 2008 with a post entitled, “So here’s how I got here…“, adding a forum two weeks later, and never looking back. Since then, she’s been offering near-daily content, featuring inspiring writing prompts and invaluable resources; interviews with successful agents, editors, and authors; and sharing her own hard-won insights with an appreciative and steadily growing community of aspiring and professional writers.

I’m delighted to have her as the first in a new series of interviews with insightful publishing and marketing professionals — 6Qs: Maria Schneider, Editor Unleashed.

It’s been just over six months since you were “unleashed” and went freelance. What’s surprised you, in a positive way, and what hasn’t quite gone according to plan?
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Stop Interrupting; Listen, Engage, Earn Attention

Youre not listening anyway. by MadRussianPhotography
You're not listening anyway. by MadRussianPhotography

You know the stereotype of the guy on the first date who can’t stop talking about himself, only to wonder why he doesn’t get a kiss at the end of the night, never mind a second date?

That guy is like advertising.

In the latest flare-up of the “print is dead” debate, Michael Josefowicz’ provocative article for MediaShift entitled “The Fallacy of the ‘Print Is Dead’ Meme” has generated some interesting feedback, partly for daring to counter the meme, and partly for clinging to the ad-supported model that has pushed many newspapers and magazines onto the endangered list:

[T]o extrapolate from personal experience to a statement about what is going to happen in the world doesn’t work. But that’s exactly what many of the people foretelling the death of print are doing.

That’s because most of the public discourse tends to be dominated by information junkies and there is little doubt that if you’re an information junkie, the web is the way to go. But the reality is that info-junkies are only a small tribe. They consume the news at a prodigious rate and the web is the fastest way to satisfy their appetite. Thus, they’re also the most vocal tribe — so it’s easy to get the impression that theirs is the most widely held conclusion. But if you listen to some of the discourse, it soon becomes apparent that it’s only one way to look at it…

Because every business understands the value of print advertising, the trick is only to make the buy for a print/web ad combo easy and affordable.

Responding to MediaBistro’s highlighting of the article, I noted: “I agree with Josefowicz that print isn’t dead, but he’s wrong about advertising; that ship has sailed. Interruption IS dead.”

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Attack of the Social Media Gurus

Scream Duck at it again. by digicolleen
Scream Duck at it again. by digicolleen (permission granted)

Have you heard, yet? EVERYBODY is on Twitter!

It’s grown 1,382,000% since last year!

Even William Shatner is using it!

This may come as a surprise but I don’t have a degree in acting. http://tinyurl.com/ct6sut Please subscribe to my YouTube channel

1:54 PM Mar 21st from web

Also, Google is dead; Facebook is broken; and those dreadlocked guys with the funny dance moves are lip-synching!

Okay, fine, Rob and Fab really couldn’t sing, but if any of the 8 million people who bought their album back in 1989 did so because of their videos and dancing, they deserved to be duped. The rest is hyperbolic BS that’s been floating around the Twitterverse lately, mostly promoted by self-proclaimed social media gurus trying to make a quick buck, and websites like Mashable, which recently changed its tagline to “The Social Media Guide”, looking to capitalize on a trend and boost their ad impressions.

Seriously, can we get a little perspective here?

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