On Twitter: Always Add Value

My flock of Twittersheep

I find it hard to believe that as recently as six months ago, I was dismissing Twitter as a pointless ripoff of Facebook’s status update, without any of the extras that make Facebook a “real” social network. From what I’d seen, it lived up to its negative reputation of mindless updates about eating lunch, waiting in traffic and unimaginative opinions on the pop culture distraction of the moment.

(Note: I’ve certainly been guilty of the latter, though in relative moderation; I vow to NEVER live-tweet a whole episode of American Idol!)

When I decided to start using Twitter for more than updating my Facebook status, and began to actively seek out quality tweeters in the publishing and media world to follow, I had a revelation.

The image above is from Twittersheep, “a word cloud generated from the bios” of the 200+ people currently following me on Twitter. The emphasis on “writer”, “media”, “book” and “marketing” tells me that I’ve tapped into the niche I was looking for and am, theoretically, adding value to that niche as the majority of my own tweets match up with those keywords. In fact, the number of people following me spiked dramatically a few weeks back during the Tools of Change conference, largely as a result of my following along on Twitter and adding my two cents to the conversation.

I’ll often throw in a little something about politics (check out @nprpolitics), pop culture (@Latinoreview), sports (@matthewcerrone), or how much I want to stab someone on any given day, but I expect the same additional personal spice from those I follow, too, as long as their primary focus remains on publishing, or in some cases, my peripheral interests.

Twitter is not for everyone, but I find the precision required to get your point across in only 140 characters without resorting to “text speak” a particularly inspiring endeavor that’s useful in many other forms of communication, from email to poetry. I’m actually rather surprised at the number of poets I know who dismiss it, especially slam poets, instead of rising to the challenge and turning it into a new creative form.

Beyond poetry, though, there are niches were it is an invaluable social networking tool, a perfect complement to blogging, an in-the-moment StumbleUpon, and absolutely nothing like Facebook or LinkedIn.

Publishing is definitely one such niche.

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Apology Unnecessary

The K Chronicles: Tales From the Campaign Trail
The K Chronicles: Stories From the Campaign Trail

There’s a bit of a tempest in a teapot happening over at Montclair State University thanks to a “controversial” episode of the Keith Knight comic strip, The K Chronicles, that was published last week in the student newspaper, the Montclarion, and included the word “nigger”.

Twice!

Well, kind of…

Seemingly lost on most of those in a tizzy over the strip (reading some of the comments is just one more reason to not take anything for granted before the election results are in and officially certified) is the fact that Knight was simply repeating a story told by a canvasser in Western Pennsylvania, where conventional wisdom has it that people are simply too racist to support Obama, as evidenced partly by Hillary Clinton’s thumping him out there during the primary.

It’s a story that’s been referenced in several places over the past week or so, and Knight’s take on it was simply addressing what has become one of the more fascinating sub-plots of this election as the economy has taken center stage and helped turn John McCain’s ill-conceived selling of his soul campaign into a sputtering hot mess: Racists for Obama.

“I wouldn’t want a mixed marriage for my daughter, but I’m voting for Obama,” the wife of a retired Virginia coal miner, Sharon Fleming, told the Los Angeles Times recently.

One Obama volunteer told Politico after canvassing the working-class white Philadelphia neighborhood of Fishtown recently, “I was blown away by the outright racism, but these folks are … undecided. They would call him a [racial epithet] and mention how they don’t know what to do because of the economy.”

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The Most Fantastic Genre

[youtube:http://www.youtube.com/watch?v=_ZGqSRtDbEw]

PopCultureShock posted this great little clip about the new Blue Beetle — Mexican-American Jaime Reyes — and Junot Diaz’ Oscar Wao, wherein Diaz notes:

“The most fantastic genre can’t keep up, or refuses to keep up, with how much our country has changed. And so people can dream about aliens, and they can dream about all sorts of things and magical rings, but they can’t dream about brown and black people being protagonists, you know?  It’s remarkable.”

Diversity in comics remains a tough slog — Firestorm was cancelled, Blue Beetle doesn’t sell very well and what ever happened to the much-hyped lesbian Batwoman series? — and the DC Universe has historically been much whiter than Marvel’s, but the first two years of Blue Beetle proved that minority superheroes could carry a series — from a quality perspective, at least — as long as the writer and artist focused on telling good, entertaining stories.

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On Comics, Pokémon and Storm Hawks

Other than the occasional review at Amazon — or even less frequently, at PopCultureShock — it’s been a while since I’ve written about comics. After 2.5 years of being ankle-deep in the industry, writing reviews, interviews, commentary and the occasional news piece, I really don’t miss it at all. While I’m still reading comics, my weekly trips to Midtown Comics have become monthly trips, at best, and my pull list has shrunk considerably to the point where I barely meet their 10-title minimum. Last time I was there, right before New Year’s Eve, I picked up six weeks worth of comics, including the Satchel Paige graphic novel (review coming soon), and spent less than $25 with my discount, which my wallet definitely appreciated. (My liver, which is bearing the brunt of that redistributed cash flow, not so much.)

One thing I really don’t miss is tracking the 150+ comic book websites and blogs I used to read regularly to stay in the loop. Some of the best/worst highlights were the times when comics “professionals” would get caught up in some ridiculous flame war with a fan or pundit, usually over something incredibly petty and stupid. For instance, the apparently revived and reconceived MurderShow.net, tipped me off to a post at NEWSarama where notoriously thin-skinned Marvel Comics writer Dan Slott reveals he has a bit too much time on his hands.

As these things typically go, it’s a relatively minor dust-up, but it’s the kind of thing that certainly doesn’t win a creator any new fans and could prove off-putting to existing fans who are already frustrated with Marvel for myriad reasons. It’s also not the best approach for a B-list writer like Slott who has a small, rabidly loyal fanbase but is still looking for a breakout run on a top-selling series to push him onto the A-list. The thrice-monthly Amazing Spider-Man will presumably offer him that chance, but as one of four B-list writers who’ll be churning out editorially mandated storylines, partnering with much higher profile artists, that’s not really the best recipe for a breakout performance.

Other random thoughts on comic-related stuff:

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Sometimes, absence makes the heart go wander…

[x-posted from PopCultureShock] What happens when the "maybe we just need a little space" trial separation makes you realize you're actually happier apart and have no interest in getting back together? Well, if you're me and writing about and reviewing comics on a semi-regular basis is what you needed a break from, you stall one more month hoping for the good feelings to return before finally acknowledging the truth and writing the requisite farewell post for the 3-5 people who might still care. In other words, it's officially "adios" for good this time! To the comics internet, at least. I'm…

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The Death of Captain America

No spoiler warning necessary at this point when it's now the featured story on Yahoo's main page!It was "spoiled" for me on the way to work today thanks to a page 3 article in the Daily News, "Captain America killed!". Even Marvel has now revealed it on their web site, after teasing it with a Daily Bugle: A Hero has been Shot story earlier today that didn't identify the victim. Cute.Of course, despite most not having read the story in question yet, the blogiverse is already cynically chiming in with variations on "So what?" and "Quesada sucks!" in response to…

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