"Just do it!" was definitely an underlying theme of the day as the deceptively sexy notion of the "democratization" of content creation and distribution was frequently noted, but I realized towards the end of the day, what was missing was any reference to the issue of access, and the ever-widening digital divide.
I find it somewhat ironic that, at the same time publishers are scrambling to fill ill-advised budget gaps left by their blind co-dependence on Borders, HarperCollins decides to play hardball with the one channel that offers the maximum combination of discoverability and NON-RETURNABILITY.
The weakness of “It’s all a dream” — why we hate that, why we feel cheated when narratively anything is revealed to be all a dream — is that you’ve just asked me to spend so much time and emotional capital investing in the stakes of this, and you’ve now swept it away with the most anti-narrative structuralism that doesn’t have anything to substitute in its place. It’s laughing at you for even taking it seriously. You don’t want to feel like a victim of the narrative, and I don’t think Christopher Nolan would do that.
Inception’s Dileep Rao Answers All Your Questions About Inception
Nuanced, brainy and thought-provoking, Christopher Nolan’s provocative sci-fi masterpiece (yeah, I said it) isn’t your typical formulaic summer blockbuster. Even its car chases, gun fights, explosions and special effects wizardry exist on a whole ‘nother level, raised by the sheer audacity of Nolan’s demanding that moviegoers sit still, pay close attention and think hard about what they’re seeing for 2.5 hours rather than be spoon-fed the usual red/blue pablum Hollywood spews out like clockwork from their “me, too” factories.
There’s no filler, no empty calories, no short cuts, no opportune pee breaks; Nolan packs something worthwhile into every second of screen time, and you blink at your own risk. It’s an action movie for intelligent adults who are tired of being treated like teenagers, and it will stick with you long after, whether you loved it or not.
It’s also a call-to-action of sorts for writers and publishers. Or could be, if they’re listening.
"The combination of hive mind and advertising has resulted in a new kind of social contract. The basic idea of this contract is that authors, journalists, musicians, and artists are encouraged to treat the fruits of their intellects and imaginations as fragments to be given without pay to the hive mind. Reciprocity takes the form of self-promotion. Culture is to become precisely nothing but advertising." Jaron Lanier, You Are Not a Gadget I'm knee-deep in final preparations for Digital Book World next week (look for the new website to relaunch by Tuesday, built by me!), but I wanted to give…
One of the best things about working for a publisher based out in the Midwest is that I sometimes get to play Peter Parker at events in New York City when no one from a particular magazine can attend. A few weeks back, it was the NY Round Table Writers Conference thanks to Writer’s Digest, and yesterday, I went to the 2009 Ellis Island Family Heritage Awards on behalf of Family Tree Magazine, and took a bunch of photos and wrote up a brief post for them that’s now on their blog:
Ellis Island Hosts Stars, Expands Museum
Emilio and Gloria Estefan accepted the inaugural B.C. Forbes Peopling of America Award in a star-studded 8th Annual Ellis Island Family Heritage Awards ceremony yesterday, hosted by actress Candice Bergen in the historic Great Hall on Ellis Island.
The awards celebrate the lives and work of individuals who immigrated to America and their descendants; with the Forbes honor going to those who arrived through a port other than Ellis Island. It reminds us that America continues to be the destination for those seeking freedom, hope and opportunity.
I’ve never had any particular connection to Ellis Island since none of my ancestors came through there — and despite growing up here in New York, I had never visited, and still haven’t been to the Statue of Liberty — so I was a bit perplexed when I saw the Estefans were being honored considering their very non-Ellis Cuban heritage.
I have very mixed emotions about the Bronx, where I grew up for the first 12 years of my life (1969-1980), and which remains the closest thing I have to a place I consider home, in a cultural sense. Being able to live there again while my kids were still young was very important to me, even though I knew we’d have to move at some point soon after they started school, and the five years we did were a great experience, positive and negative, allowing me simultaneously reconnect and disconnect before taking the inevitable next step of homeownership.
When my son, Isaac, came home with the assignment to put together a family cultural project — Where Are You From? — I wasn’t sure how to approach it from my side of the family, especially in contrast to my wife’s much more specific and rich Cuban heritage. I’m a mutt without a home, the epitome of a melting pot kid (or is that salad bowl?), with connections to many cultures but no firm roots in any.
Focusing on the Bronx was an interesting and enlightening challenge, especially when trying to boil it all down to a 3rd grade level, and by the end, I was left with the same mixed emotions, a combination of pride and disappointment, hope and disdain. I emphasized the positive, of course, but I’d be lying if I denied the bitter taste of the negative wasn’t still on my tongue, things like the new Yankee Stadium, the miserable public school system and the general feeling of it being a second-class citizen in New York City, on par with or sometimes behind Staten Island.
[youtube:http://www.youtube.com/watch?v=LoGYx35ypus] "We live in an amazing, amazing world, and it's wasted on the crappiest generation of spoiled idiots that don't care." [1:30] I've never seen Louis CK in action before, but my favorite humor is the insightful observational kind and this clip is hilarious, primarily because it's all so true. I say burn it all down and start over. (h/t @torrento)