The iPad, Transmedia, and the Future of Publishers

49/365 (Android pesadilla) by Jesus Belzunce

Over 25 years, Apple has earned the privilege of delivering anticipated, personal and relevant messages to their tribe. They can get the word out about a new product without a lot of money because one by one, they’ve signed people up. They didn’t sell 300,000 iPads in one day, they sold them over a few decades.

“Secrets of the biggest selling launch ever”, Seth Godin

The iPad reviews are in, and whether positive, negative or on the fence loaded with caveats, the most common underlying thread is that Apple has created a device that could eventually change the way we acquire, consume and interact with digital content.

This potential change is important to publishers of all kinds, but particularly to those of books as the eBook experience on the iPad is arguably one of its weakest features.

While iBooks, Kindle and Kobo (the three eBook apps I tested) are all solid readers with varying appeal, replicating the reading experience of a print book via static EPUB files (on a device that weigts twice as much an average book!) is like driving a Porsche to the corner store for a six-pack of Old Milwaukee. While test-driving eBooks on the iPad, I limited myself to free books, samples, and in the case of Kindle, ebooks my wife and I have already purchased for her Gen 1 device (which she loves, BTW, despite the limited inventory of books she actually wants to read), and I wasn’t terribly impressed by any of them.

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The Future of Publishing is Bright

Six months ago, Digital Book World didn't exist. And yet, 48 hours ago I had the honor of giving the closing remarks at the end of our first annual Digital Book World Conference. Simultaneously exhilarated and exhausted, I communicated most of what I'd hoped to say, but I wanted to reiterate and expand upon it here (and share my slides) because it was a message not just for those in attendance, but for everyone working in this industry that I'm so passionate and optimistic about.

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Macmillan Authors Rally Fans in Battle with Amazon

Whether you agree with Macmillan's push for new terms of sale for their ebooks or not, one thing that's been particularly impressive is the extremely vocal support they've received from their authors, particularly those published by their sci-fi/fantasy imprint Tor/Forge. As the news broke last weekend, several Tor/Forge authors immediately reacted to Amazon's ceasing direct sales of their books by replacing Amazon's links on their sites and redirecting their fans to Barnes & Noble and IndieBound. Among them was Cherie Priest, whose popular steampunk novel, Boneshaker, was recently honored with a PNBA 2010 Book Award, and as of 12:45pm EST…

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A Quick Note on the Fabled “iPod Moment”

The Pirate's Dilema (sic) by Browserd
The Pirate's Dilema by browserd

There are millions of books on amazon.com, and on average each will sell around 500 copies a year. The average American is reading just one book a year, and that number is falling. The problem (to quote Tim O’Reilly) isn’t piracy, it’s obscurity. Authors are lucky to be in a business where electronic copies aren’t considered substitutes for physical copies by most people who like reading books (for now at least).

–Matt Mason, The Pirate’s Dilemma

The op-ed I wrote for Publishing Perspectives earlier this week, “E” is for Experiment (Not E-books), got an unexpected amount of attention and I’m pretty sure it’s the most I’ve ever seen a post of mine fly around the Twitterverse. Writing for someone else’s site is much harder than blogging on your own, so full credit to Edward Nawotka for a great job of editing it, helping me bring forward my main points and carving away the extraneous content, most of which went into my previous post!

One of the comments I got on the article allowed me to elaborate a bit on one of the points I made, that “e-readers will never have their ‘iPod moment’ for one very simple reason: books are not music.”

Dan from BookLamp mildly disagreed with me, making a point about the potential benefits of cost-savings and discoverability afforded by eBooks and eReaders, making a subtle pitch for his own platform that purportedly “matches readers to books through an analysis of writing styles, similar to the way that Pandora.com matches music lovers to new music.”

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Playing with the Kindle, Playing with the Future

SciFi Hall Of Fame by TahoeSunsets
SciFi Hall Of Fame by TahoeSunsets

A cynic is not merely one who reads bitter lessons from the past, he is one who is prematurely disappointed in the future.

–Sidney J. Harris

It’s no secret that I’m not a big fan of eBooks or eReaders, but there’s no question they’re growing in popularity… at least amongst technology companies. While the hype coming out of last week’s Consumer Electronics Show was so over-the-top it’s difficult to take any of these new devices seriously, it does make you appreciate a bit more the huge advantages Amazon has with its Kindle.

Publishing Perspectives’ editor Edward Nawotka stirred up some controversy last week with his opinion that the current breed of eReaders were good enough, noting, “My septuagenarian mother is delighted with her first-generation Kindle.”

My thirty-something wife – an avid reader, elementary school teacher and generally a late-adopter – also enjoys her Kindle (a birthday gift from me in November 2008), mainly to read books she’s either unfamiliar with or unwilling to buy in hardcover. But it’s not going to become her primary reading option any time soon. Among her criticisms are the limited selection of books she wants to read; inelegant navigation and annotation functionality; and, in her words, “Everyone talks about portability, but what’s more portable than a book?”

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Reflections on, Takeaways from #eBookSummit

mediabistro.com eBook Summit in New York by Mediabistro
mediabistro.com eBook Summit in New York by Mediabistro

“I suppose we could sum up this entire two-day conference under the headline ‘too early to tell.'”

–Steve Wasserman (Kneerim & Williams)

I attended MediaBistro’s eBook Summit this week and Wasserman’s summation is perfect; consumer book publishing is smack in the middle of the digital transition, and solid answers about how it will all play out are hard to come by. That doesn’t mean, of course, that there aren’t plenty of people willing to throw their two cents (and millions of VC dollars) into the conversation.

While ostensibly a competitive event with Digital Book World, my sense was that both the program and attendees were very different from ours — the former more theoretical and broader; the latter… well, just different, I’d say. There’s clearly room for both events, which I was actually glad to see, because I’m a fan of MediaBistro and I don’t want the wonderful Carmen Scheidel getting mad at me after we just became friends!

I live-tweeted both days of the Summit — Day 1 and Day 2 (sorry LiveJournal friends!) — and after cleansing my palette by reading more of the latest issue of Monocle (an absolutely beautiful example of what can and should be done only in print), here’s my top five takeaways:

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