Movies

A guillotine, a Sister of Battle, and a scrapbook picture from the 2001 National Poetry Slam.

Fight Club

via imdb.com TYLER You were looking for a way to change your life. You could not do this on your own. All the ways you wished you could be...that's me! I look like you wanna look, I fuck like you wanna fuck, I'm smart, capable and most importantly, I'm free in all the ways that you are not. JACK No... FLASHBACK - EXT. PAPER ST. HOUSE - BACKYARD - NIGHT Jack stands in the yard, vodka in hand, yells at Marla. JACK Tyler's not here. Tyler's went away. Tyler's gone. MARLA What? INT. HOTEL - RESUMING JACK This is impossible.…

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A guillotine, a Sister of Battle, and a scrapbook picture from the 2001 National Poetry Slam.

The Unbreakable Dark Knight Double Feature

I have the house all to myself for the next couple of days, and a rainy Sunday is the perfect time for a double-feature of the best "superhero" / "comic book" movies ever: Unbreakable and The Dark Knight. The former is highly underrated (and still holds up), the latter justifiably lauded; both are the best movies either director has made to-date. Feel free to disagree, but you'd be wrong!

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A guillotine, a Sister of Battle, and a scrapbook picture from the 2001 National Poetry Slam.

Christopher Nolan’s Joker Problem

Heath Ledger as the Joker

No matter who wins the Oscar for Best Supporting Actor three weeks from now, Christopher Nolan has a serious dilemma in front of him as he decides where to go with his inevitable third installment in the juggernaut Batman franchise.

To Joker, or Not To Joker?

Even if he hadn’t received a single award nomination for his performance, Heath Ledger left behind some huge shoes to fill with his breathtaking spin on Batman’s best-known and, arguably, best-loved villain. It’s pretty clear that Nolan intended to bring him back for the next movie, and not just for a brief Scarecrow-like cameo Cillian Murphy made in Dark Knight.

So now, he has an unenviable decision in front of him, whether to leave the Joker out of the next movie completely and focus on other villains, or take a risk recasting him and get a similarly astonishing performance out of someone who can expect to have every syllable and tic scrutinized by critics and fanboys alike.

My first instinct was that he should move on, offering a quick explanation that the Joker is locked away in Arkham Asylum, maybe edit in 15 seconds from Dark Knight to honor Ledger, and focus on a new arch-villain like…

Well, there’s the problem.

Catwoman?

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A guillotine, a Sister of Battle, and a scrapbook picture from the 2001 National Poetry Slam.

Random Reviews: Inkheart, Wanted, Chalk

We’ve been having a lot of Blockbuster nights since we bought the house last summer, while managing to catch whatever kid-friendly movies worth seeing in theaters whenever possible, and I’ve been reviewing a lot of them on Flixster but wanted to round up the most recent batch and post them here, including expanded commentary on a few.

Inkheart: Saw it tonight and loved it! A great cast highlighted by Paul Bettany and Helen Mirren, who lift Brendan Fraser beyond his typically solid leading-man performance, and Andy Serkis as a great villain; plus, an intriguing story combine for what is effectively an entertaining love letter to the power of the written word, writers, and imagination itself. It’s a little dark for some kiddies — India said afterwards that she thought it was rated R! — but I enjoyed it so much that I went and bought the book right afterwards and started reading it in the store.

Side note: This was the first movie I’ve seen Mirren in since those pictures last summer of her in a bikini and it was a little distracting for the first couple of minutes. Zoinks!

Black Snake Moan: Surprisingly poignant and touching; great performances from Samuel L. Jackson and Christina Ricci enable Craig Brewer to fulfill the potential of his risky idea — the DVD extras are must-see — and Justin Timberlake does a solid job of not embarassing himself. The music, too, is amazing and I want the soundtrack which includes Jackson doing “Stack-o-lee”, one of the many songs that inspired the best graphic novel of 2006, Stagger Lee.

Wanted: Imagine, if you can, a mash-up of The Matrix and Fight Club, written by a roomful of monkeys with iPods and directed by the least talented monkey in the room, and you’ll get close to the total wackness that is Wanted. James McAvoy’s character and acting were lame imitations of Ed Norton in Fight Club, and the handful of kewl action moments were overshadowed by the sheer lameness of the script and, pardon the pun, threadbare plot. The comic book it was based on was similarly hacktastic, so it’s no surprise, but I expected a little better from Easy Reader. Morgan Freeman: You’re on notice!

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It's A Wonderful Life

How Wonderful Is It?

Back in 1996, when I was publishing my short-lived zine, zuzu's petals — which, in a wonderful bit of circularity, played a significant role in my getting married! — I wrote a pretty cynical essay about why I loved It's A Wonderful Life, not so much for its purportedly uplifting message, but rather for its "unintentionally subversive message".

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A guillotine, a Sister of Battle, and a scrapbook picture from the 2001 National Poetry Slam.

Review: The Incredible Hulk

The Incredible Hulk
The Incredible Hulk

I skipped The Incredible Hulk in theaters because I was fully expecting to be disappointed, but my son really wanted to see it and Iron Man was unexpectedly good, so we picked up the DVD and I was pleasantly surprised.

Ed Norton isn’t as dynamic an actor as Robert Downey, Jr., unlikely to carry a blockbuster superhero movie on his own shoulders, but he brings the right level of intensity to the Hulk’s conflicted alter ego, Bruce Banner, that combined with some precision casting — and, according to several rumors seemingly backed up by many of the DVD’s bonus features*, exerting influence far beyond his own character — makes for a movie that is greater than the sum of its parts.

Tim Roth and William Hurt shine in their roles, and Liv Tyler manages to escape the confines of the cliché “female interest” as she and writer Zak Penn (who takes an impressive step forward from Fantastic Four and X-Men: The Last Stand) make her character work as the emotional centerpiece of the story.

It’s a well-paced action movie with just the right dash of drama — many of the deleted scenes featuring psychiatrist Dr. Samson are deservedly so — and the CGI Hulk and Abomination are even more impressive than last year’s Transformers triumph, especially their final battle which is arguably the best balls-to-the-wall fight scene put to film in recent years.

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