Interview: Fialkov on Elk’s Run

It's a sad fact in the comics industry today that succesfully launching a brand new title is a Herculean feat for the Big Two, requiring a massive marketing and promotion campaign with no guarantees of success. For independent publishers, it's a near impossible task. Even sadder is the fact that the lower half of the Diamond Top 100 - wholly dominated by mainstream super-heroes, historied licenses and/or A-list creators - typically bottoms out around 25,000 copies, making "successful" a somewhat relative term. So what to do when a really good comic book comes along, one not in the front of…

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Review: Ant: Days Like These (TPB)

There's a perennial debate on which creative setup works best in comics, the collaboration or the solo creator. With superior examples on both sides, of course, there is no definitive answer, but for every good example, there's at least as many bad ones. Creator/writer/artist Mario Gully's intriguing concept - eight-year old Hannah Washington creates an imaginary world in her journal, a world where she is the powerful superhero known as Ant, a world that may not be as imaginary as it seems - has lots of potential, but, unfortunately, it qualifies as Exhibit A for the case against solo work;…

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Review: Worldwatch #3

With Marvel not publishing a single thing of interest to me this week, I decided to throw an extra $3 towards an indie comic I'd never read before and let me preface its review with this offer: the first person I don't know personally to leave a comment here, I'll mail it to you, bagged and boarded, postage-paid, completely free of charge. Someone involved in its creation would be ideal, actually! I told someone recently that when it came to indie comics, if I didn't have something nice to say about a particular title, I simply wouldn't review it. The…

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Damn ABC and their addictive Sunday night lineup!

How am I supposed to ease into the beginning of a new week, following an exciting afternoon of football, when I can’t get away from the TV from 7-11pm?

Scoff if you like, but America’s Funniest Home Videos is funny as hell. Tom Bergeron is no Bob Saget, thank god, and who couldn’t benefit from a little mindless slapstick humor while being forced to admit the weekend is over and start preparing for a return to the old grind? Then Extreme Makeover: Home Edition, the most emotionally-manipulative tearjerker on TV, interferes with the kids’ bath and get-ready-for-bed time, forcing us into a graceless ballet in between commercials. The first 10 minutes and the final 20 are the must-see portions of the show, though, no distractions allowed, which means their usual bedtime gets extended by a half-hour.

At 9pm – kids in bed but still awake, the apartment littered with toys and other married-with-children hazards like a sink full of dishes, piles of unopened mail, shredded magazines and random clothing spead here and there – it’s time for Desperate Housewives. If we blink during the closing credits of EM:HE, we end up stuck to the couch for the first 10 minutes as ABC has perfected the “don’t change the channel” transition between shows that reels the unsuspecting viewer in like bad poets to an open mic. Housewives is without question the best guilty pleasure on TV since…well, since the A-Team if I’m being honest!

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"Those who can, do. Those who can't, edit." While that's not always true, in light of my inability to write something in time for the newly-launched e-zine of "cutting-edge non-fiction," loupe, I've decided to do the next best thing...launch a web site of my own to highlight all of the great writing I come across in my online travels - not unlike like that appearing in loupe and other e-zines and blogs I read regularly. [drumroll, please...] ANECDOTAL EVIDENCE Critiquing the American Dream ABOUT US Anecdotal Evidence is dedicated to the idea that while everyone has an opinion, the majority…

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Eminem really stepped up to the plate with his latest single, Mosh, evoking memories of Public Enemy's Fight the Power glory days and offering a glimmer of hope for rap's going back to the future and becoming relevant again. The animated video is a powerful visual statement as well and needs to go into instant heavy rotation on every music video channel. Watch it now and pass it on. Mosh, Eminem [I pledge allegiance to the flag of the United States of America And to the Republic for which it stands One nation under God Indivisible] It feels so good…

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