Parenting isn’t all rainbows and butterflies!

Last night's Desperate Housewives had an interesting subplot centering on the stay-at-home mom character - the one with the hyper twins and an infant, and possibly a fourth kid? - and how she ends up having a nervous breakdown from the stress of it all. There's a moment towards the end, when she's talking to the other two moms about how she feels like a terrible mother because she can't handle the stress when it seems like every other mother can, that was particularly poignant. They comfort her with their own war stories and she's like, "how come no one…

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Damn ABC and their addictive Sunday night lineup!

How am I supposed to ease into the beginning of a new week, following an exciting afternoon of football, when I can’t get away from the TV from 7-11pm?

Scoff if you like, but America’s Funniest Home Videos is funny as hell. Tom Bergeron is no Bob Saget, thank god, and who couldn’t benefit from a little mindless slapstick humor while being forced to admit the weekend is over and start preparing for a return to the old grind? Then Extreme Makeover: Home Edition, the most emotionally-manipulative tearjerker on TV, interferes with the kids’ bath and get-ready-for-bed time, forcing us into a graceless ballet in between commercials. The first 10 minutes and the final 20 are the must-see portions of the show, though, no distractions allowed, which means their usual bedtime gets extended by a half-hour.

At 9pm – kids in bed but still awake, the apartment littered with toys and other married-with-children hazards like a sink full of dishes, piles of unopened mail, shredded magazines and random clothing spead here and there – it’s time for Desperate Housewives. If we blink during the closing credits of EM:HE, we end up stuck to the couch for the first 10 minutes as ABC has perfected the “don’t change the channel” transition between shows that reels the unsuspecting viewer in like bad poets to an open mic. Housewives is without question the best guilty pleasure on TV since…well, since the A-Team if I’m being honest!

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Review: New X-Men:Academy X #1-6

When the New Mutants re-appeared on the stands 20 months ago, I was just returning to comics after a 15-year hiatus and welcomed the sight of a familiar face to ease me back into the monthly habit. Joshua Middleton's beautiful cover art featuring some of the women from the original lineup drew me in, and Nunzio DeFilippis and Christina Weir's patient, nuanced introduction of the first mutant of the new generation, and their reintroduction and use of a tortured Danielle Moonstar as the story's anchor, kept me glued through to the last page. The closing dialogue sealed the deal for…

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COMMENT: On Reloads and Relaunches

Answer: Everyone that bought a copy of Astonishing X-Men #1. [See the end for the Question.]As someone who stopped buying comic books back in the early 90s - missing the worst of the speculator-driven boom and bust - and started again last year, I can see both sides of the "Relaunch/Reload" debate that seems to be flaring up on several fan sites.As Comics Buyer's Guide pointed out in a great article a couple of months ago, the comic book industry doesn't really know very much about its audience. Other than the accepted stereotypes - predominantly young, male, into superheroes and…

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Pumpkin Seeds: 11 Shots to the Dome Edition

1. The Incredibles, in a word was, what the hell, INCREDIBLE! Seriously; like “the Oscar goes to…,” Best Picture kind of incredible. “The Oscar goes to…,” Best Director kind of incredible. “The Oscar goes to…,” Best Original Screenplay kind of incredible. It had more emotional depth than most live-action movies, and absolutely blows the doors off previous Pixar and Dreamworks efforts. To not be acknowledged as such would be an even bigger crime than the 1999 Best Picture award.

2. The preview of Pixar’s next effort, Cars, struck me as both an odd direction and incredibly boring. As it is quite possibly their last movie in conjunction with Disney, I wonder if they purposely went with a lesser concept to complete their contract, anticipating a new partner and saving their best stuff for the future? Because, really, unlike any of their previous films’ previews, Cars just looks dumb.

3. For the most part, I consider myself a pretty tolerant and non-prejudicial person. Politically incorrect jokes aside, I don’t typically judge anyone by whatever subgroup society has created for them, understanding that people are individuals and should be judged accordingly. That said, this morning, for the second time in the three years since 9/11, I got off of a train before my stop because there was a guy that was giving me the “looks like a terrorist” heebie-jeebies. He looked like a middle eastern Spike Lee, complete with facial hair and dorky glasses, wearing a baseball cap, jeans and a sweatshirt and carrying only a rectangular leather CD case. No CD player, mind you, just the case. And he was holding it close to his lap, tapping away nervously. And he was sitting right next to me. If he looked like anything but someone from the middle east, I would have probably found him merely annoying. If he’d looked the way he looked, but had a CD player to go with the case, I probably wouldn’t have paid him the slightest bit of attention. But he didn’t, and all the things that led so many otherwise sensible Americans to vote for George Bush three weeks ago flared up in my mind and I was convinced this guy was going to blow the train somewhere between the City Hall and Wall Street stations. So I got off the train at 14th Street, caught the next one, and braced myself at each stop, each delay, each announcement, not sure whether I was hoping more that I was wrong, or right. Because being right would have been traumatic, but being wrong meant I’d completely given in to the fear.

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Comment: Comic Book Superheros Unmasked (2003)

Comic Book Superheros Unmasked (CBSU) is a History Channel documentary that has aired numerous times over the last few months. Released in 2003, the film was directed by Steve Kroopnick and he takes us on a tour of the comic book industry from its Depression Era-beginnings through its modern-day multi-million dollar enterprises. Our guides are some of the industries greatest legends, and current innovators, names like Stan Lee, Frank Miller, Joe Quesada, Neil Gaiman, and Will Eisner. I've seen CBSU three times, and I'd watch it a fourth time if it were playing right now. What struck me the most…

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To: Paul Tagliabue re: The Monday Night Football Affair cc: NFL Owners, ABC, ESPN, sports journalists Remember how much you guys derided the XFL when it debuted? Hypocrites. In other news, as I don't like to post here too often about comic book stuff, and the one site I've been hanging out in doesn't have a whole lot of traffic (I've been open mic'ing it in their forums recently, aiming for a feature spot down the line), I've done what I usually do, and started my own thing: Comic Book Commentary. I plan to post reviews and commentary - and…

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