Your Tools Don’t Matter (Or, Why I Love My Job!)

Hammer birds by andy castro
Hammer birds by andy castro

Why is it that with over 60 years of improvements in cameras, lens sharpness and film grain, resolution and dynamic range that no one has been able to equal what Ansel Adams did back in the 1940s?

Ken Rockwell, Your Camera Doesn’t Matter

First, disclosure: this post is primarily about the day job and is a total sales pitch for Digital Book World. If you follow me on Twitter, you’re probably already aware of my connection to it, but this is the first time I’m explicitly writing about it here.

As I’ve noted before, I’m very optimistic about the future of what I call the community service of publishing, and the underlying mission of Digital Book World is to get past the hype surrounding the digital toys du jour and provide real strategies for consumer publishers to transform their business models and thrive in the digital age. It’s not about eBooks or Twitter or any other tree in the forest–it’s about the fundamental strategies publishers need to profitably maximize their assets in the short term while developing and executing a digital strategy for the long-term.

I’m very excited about this Conference for a number of reasons, not the least of which is that I’m playing several roles, from Audience Development and Sponsorship Sales, to managing the DBW blog, to programming our series of free webinars that kicked off with last month’s The Truth About eBooks: Devices, Formats, Pirates (Oh, My!).

But the main reason I’m excited about it is so much simpler: I’m getting to work on something that I’m truly passionate about and fully believe in, and am in on the proverbial ground floor.

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NaNoWriMo: Just Write. (This is where I fail.)

Third, what the hell was I waiting till November for? You want to want to be real boy, Pinocchio? Er, I mean, a real writer? Then don’t set 1/12th of the year aside to do it. Do it always, and do it unconditionally. You don’t have to write a novel between November 1st and 30th. That is not your limitation. When I did it, I didn’t want to cheat, and I wanted to hit the mark, but it was all… illusory. Somebody else made up these rules. Not me. You want to write a novel? Write a novel. Start now.…

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Do Publishers Still Need Authors?

Its a giant cupcake and Android! (@ Googleplex - B44) by David Recordon
It's a giant cupcake and Android! (@ Googleplex - B44) by David Recordon

Just as many entrepreneurs no longer need venture capitalists to launch their companies, authors no longer need publishers to publish.

Mark Coker, Do Authors Still Need Publishers?

Picture this: In the future, as the risks of publishing shift from the publisher to the author, publishers will be able to invest in technologies that allow them to bypass authors completely, developing sophisticated algorithms to scrape their content from the Internet, repurpose and repackage it for non-discriminating readers, and charge advertisers fistfuls of money for their wandering eyeballs!

It sounds even better if you say it out loud in Dr. Evil’s voice. Or Chris Anderson’s. Or Arianna Huffington’s.

Resistance is futile!

If Coker’s second linkbait advertorial for the Huffington Post didn’t add anything new to the conversation, it did at least spawn a new hashtag on Twitter, #publishersmatter, and generate some interesting discussion around the value publishers do, and don’t, offer authors nowadays.

My take?

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Review: Crazy White Devil: Poems by Guy LeCharles Gonzalez

Review by: Lori Freshwater on Oct. 24, 2009 : (no rating) Guy LeCharles Gonzalez takes the gloves right off in this wonderful collection of poetry. We know immediately that this is going to be poetry that lives up to its promise, it is going to be poetry that speaks truth. We know that because the poet tells us in “Crazy White Devil” that Evel Knievel was a better man than Elvis. “I was never inspired/to shake my hips to stolen glory/but I sped down glass-filled/urban ski slopes with abandon, /jumping curbs and milk crate ramps…” Okay, I’m an Elvis fan…

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Every Writer Should Read Fool on the Hill

As for where the individual plot-threads came from: Stephen George is, pretty obviously, a semi-autobiographical character. The story of Luther and Blackjack comes from my childhood fascination with the “Dog” and “Cat” entries in the World Book Encyclopedia—World Book had these pictorial layouts showing all the different dog and cat breeds, and for some reason this just stuck in my imagination; then when I got to Cornell and heard the legend about dogs being allowed to roam free on the campus, I thought it might be neat to have a college for dogs. The sprites likewise spring from a childhood…

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Read more about the article Burning Down the House: True Story
My Bookshelf (one of them)

Burning Down the House: True Story

Arguably my "biggest" publishing credit is co-authoring Burning Down the House: Selected Poems from the Nuyorican Poets Cafe's National Poetry Slam Champions (Soft Skull Press, 2000), and while I am both proud of and eternally grateful for its publication, its existence has more to do with timing and opportunism than the quality of the work therein. Besides my own attempts at zines and chapbooks, it was my first real introduction to the world of publishing, and it left a permanent mark that partly explains my cynical passion and/or pragmatic idealism for the publishing industry.

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