Reviews of books, comics, movies, and other random stuff.
While Epic Mickey can certainly be used as an example of transmedia development, I'd argue that the process only got it half right since there doesn't appear to be an integrated marketing plan in effect.
"From the Director of 300 and Watchmen" isn't an ideal tagline for a PG-rated movie aimed at kids.
Zeitoun by Dave Eggers My rating: 5 of 5 stars In ZEITOUN, Dave Eggers does an excellent job of weaving Abdulrahman and Kathy Zeitoun's compelling backstories and Katrina experiences together, shaded by post-9/11 xenophobia, and delivers a powerful documentary of what will most likely be looked back upon by history as one of this country's most tragic eras/errors. In its final pages, I was most struck by the proverbial banality of evil and the limited resiliency of the human spirit. When I first heard about this book, I fully expected to be infuriated after reading it, but it simply left…
“A man practices the art of adventure when he breaks the chain of routine and renews his life through reading new books, traveling to new places, making new friends, taking up new hobbies and adopting new viewpoints”
Wilfred Peterson (via dhammza)
At the beginning of the year I made several resolutions, one of which I was reasonably sure I’d be able to stick to since it simply involved reading and I’ve always been an avid reader. It was resolution-worthy, though, because I haven’t been reading nearly as much as I used to over the past few years, for a number of reasons, mostly work-related.
My intention was to go both genre- and format-hopping — one print, one eBook — and write reviews for whatever I read, but to-date I’ve only read one eBook, the entertaining steampunk anthology, The Shadow Conspiracy, and despite having downloaded several free eBooks and samples on the iPad’s major ereading apps, I’ve yet to read another.
Despite the inexplicable lure of the $149 WiFi-only Nook, for now, when it comes to long-form reading, I’m still a hardcore print guy.
It's been two weeks since Steve Jobs' "magical and revolutionary" device officially went from fascinating Rorschach test to tangible consumer appliance, and while some of the hype around it being the savior of book, magazine and newspaper publishing has thankfully died down, there's no debating that Apple's App Store has had a significant impact on how we value and consume digital content. That impact will likely increase with the introduction of the iPad, and it's especially noteworthy for publishers who are looking to iBooks and the "agency model" to counter Amazon's pegging $9.99 as the benchmark for eBooks. Savvy…
A cynic is not merely one who reads bitter lessons from the past, he is one who is prematurely disappointed in the future.
It’s no secret that I’m not a big fan of eBooks or eReaders, but there’s no question they’re growing in popularity… at least amongst technology companies. While the hype coming out of last week’s Consumer Electronics Show was so over-the-top it’s difficult to take any of these new devices seriously, it does make you appreciate a bit more the huge advantages Amazon has with its Kindle.
Publishing Perspectives’ editor Edward Nawotka stirred up some controversy last week with his opinion that the current breed of eReaders were good enough, noting, “My septuagenarian mother is delighted with her first-generation Kindle.”
My thirty-something wife – an avid reader, elementary school teacher and generally a late-adopter – also enjoys her Kindle (a birthday gift from me in November 2008), mainly to read books she’s either unfamiliar with or unwilling to buy in hardcover. But it’s not going to become her primary reading option any time soon. Among her criticisms are the limited selection of books she wants to read; inelegant navigation and annotation functionality; and, in her words, “Everyone talks about portability, but what’s more portable than a book?”
Erica is a great poet, one whose work I’ve had the pleasure of publishing in Spindle; she’s also a friend, so take my recommendation (and criticism) with a grain of salt. Generally speaking, I prefer my poetry a la carte or in thematic anthologies; I’m not a fan of individual collections of poetry unless a poet has a significant body of work that can be editorially curated with an unbiased eye. Erica Miriam Fabri’s Dialect of a Skirt (Hanging Loose Press, 2009) is a welcome exception to my rule; while arguably 10-15 pages longer than necessary, it’s an engaging collection…