Tag: Batman

Me, in a green "Freed Between the Lines." hoodie.

Comment: Giving the People What They Want

Marvel EIC, Joe Quesada, and his main partner in crime, Brian Michael Bendis, caused a minor tempest in a teapot a couple of weeks ago during Newsarama‘s “Quesadarama” PR stunt that gave Quesada “control” of the site for the week. He posted an entertaining mix of informative and self-indulgent interviews with the likes of Kevin

Me, in a green "Freed Between the Lines." hoodie.

Review: Fade From Grace #1-4

If there’s ever been a comic book that was the perfect gift for a comic book geek to give his non-comic book-reading girlfriend, Fade From Grace would be it. Elegantly written, and beautifully illustrated, it’s a four-color “chick flick” that any self-respecting fan of quality comic books would love. Fade works on two levels, first

Me, in a green "Freed Between the Lines." hoodie.

ménage à trois: 2/2/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.] A light week for the big two, highlighted by the already reviewed return of the Black Panther,

Me, in a green "Freed Between the Lines." hoodie.

Dan’s Top 3 Comic Book-Themed Video Games

[Three ground rules. 1) All games considered must have its origins rooted in a published comic book, ie: Marvel, DC, Image, etc. Power Puff Girls and the Simpsons do not qualify since they were “born” on screen. 2) WOW factor must be taken into consideration when ranking the games. WOW factor is defined by how

Me, in a green "Freed Between the Lines." hoodie.

ménage à trois: 1/5/05

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.] A double dose of Marvel this week, thanks to the late shipping New Avengers #2 and nothing

Me, in a green "Freed Between the Lines." hoodie.

Review: Secret Skull #1-4

Steve Niles’ Secret Skull mini-series starts off strong, jumping from a quick dream sequence featuring a cemetery zombie attack in broad daylight to a Batman-like vigilante in a skull mask tracking a gang of thugs through the night, one of whom it somehow knows will kill an innocent girl the next day. Except he won’t

Me, in a green "Freed Between the Lines." hoodie.

ménage à trois: 12/15/04

[One Marvel, one DC, both published the previous Wednesday, plus a random indie from whenever I feel like it, each reviewed quickie-style: 1 Minute=bad, 10 Minutes=good. Connections, if any at all, may be forced purely for the experience.] “The best laid plans…” sometimes go awry, and in this case, it’s Marvel’s fault as I wasn’t

Me, in a green "Freed Between the Lines." hoodie.

Review: New Avengers #1 / The Ultimates 2 #1

To say I was skeptical about Marvel go-to-guy Brian Michael Bendis’ New Avengers seemingly self-serving reload would be quite the understatement. Based on the ill-conceived complete disaster that was Avengers Disassembled, and it’s half-assed epilogue/retrospective in Avengers Finale, I was fully prepared to hate it on sight. Boy was I wrong! After the requisite –

Me, in a green "Freed Between the Lines." hoodie.

COMMENT: On Reloads and Relaunches

Answer: Everyone that bought a copy of Astonishing X-Men #1. [See the end for the Question.] As someone who stopped buying comic books back in the early 90s – missing the worst of the speculator-driven boom and bust – and started again last year, I can see both sides of the “Relaunch/Reload” debate that seems

Me, in a green "Freed Between the Lines." hoodie.

Review: Superman/Batman #8-13

I reserved judgement on this until it was complete, hoping there’d be a little more to it than than fanboy pandering, but alas, it is what it is. Credit Jeph Loeb for giving the people what they want, I guess. From his lazy, summer-blockbuster plotting and scripting, to Michael Turner’s incredibly overrated artwork, this story

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