Fragmented Marketing: Making Owls Appealing
"From the Director of 300 and Watchmen" isn't an ideal tagline for a PG-rated movie aimed at kids.
On Inception, The Passage, and Writing in The Obama Era
The weakness of “It’s all a dream” — why we hate that, why we feel cheated when narratively anything is revealed to be all a dream — is that you’ve just asked me to spend so much time and emotional capital investing in the stakes of this, and you’ve now swept it away with the most anti-narrative structuralism that doesn’t have anything to substitute in its place. It’s laughing at you for even taking it seriously. You don’t want to feel like a victim of the narrative, and I don’t think Christopher Nolan would do that.
Inception’s Dileep Rao Answers All Your Questions About Inception
Nuanced, brainy and thought-provoking, Christopher Nolan’s provocative sci-fi masterpiece (yeah, I said it) isn’t your typical formulaic summer blockbuster. Even its car chases, gun fights, explosions and special effects wizardry exist on a whole ‘nother level, raised by the sheer audacity of Nolan’s demanding that moviegoers sit still, pay close attention and think hard about what they’re seeing for 2.5 hours rather than be spoon-fed the usual red/blue pablum Hollywood spews out like clockwork from their “me, too” factories.
There’s no filler, no empty calories, no short cuts, no opportune pee breaks; Nolan packs something worthwhile into every second of screen time, and you blink at your own risk. It’s an action movie for intelligent adults who are tired of being treated like teenagers, and it will stick with you long after, whether you loved it or not.
It’s also a call-to-action of sorts for writers and publishers. Or could be, if they’re listening.
RIDDICK’s Big Screen Return | GeekTyrant
About 10 years ago a relatively unknown actor, by the name of Vin Diesel, starred in a scifi/horror movie about a group of stranded travelers on a planet where hungry giant bat like creatures come out to feed in the middle of the night. Four years later that same character comes back to fight a race of conquerors who have a unhealthy obsession with death. And so… The Chronicles Of Riddick began. But, it seems to have stopped there. Well kids talk has been resurfacing again at the return of Richard B Riddick and all of his night vision ‘badassery’.…
Fight Club
via imdb.com TYLER You were looking for a way to change your life. You could not do this on your own. All the ways you wished you could be...that's me! I look like you wanna look, I fuck like you wanna fuck, I'm smart, capable and most importantly, I'm free in all the ways that you are not. JACK No... FLASHBACK - EXT. PAPER ST. HOUSE - BACKYARD - NIGHT Jack stands in the yard, vodka in hand, yells at Marla. JACK Tyler's not here. Tyler's went away. Tyler's gone. MARLA What? INT. HOTEL - RESUMING JACK This is impossible.…
The Unbreakable Dark Knight Double Feature
I have the house all to myself for the next couple of days, and a rainy Sunday is the perfect time for a double-feature of the best "superhero" / "comic book" movies ever: Unbreakable and The Dark Knight. The former is highly underrated (and still holds up), the latter justifiably lauded; both are the best movies either director has made to-date. Feel free to disagree, but you'd be wrong!
Where the Wild Things Are – New [HD] Trailer
via youtube.com If this is half as good as the trailer makes it seem like it could be, I'm going to love this movie. The music is absolutely perfect. Fingers crossed...
Christopher Nolan’s Joker Problem
No matter who wins the Oscar for Best Supporting Actor three weeks from now, Christopher Nolan has a serious dilemma in front of him as he decides where to go with his inevitable third installment in the juggernaut Batman franchise.
To Joker, or Not To Joker?
Even if he hadn’t received a single award nomination for his performance, Heath Ledger left behind some huge shoes to fill with his breathtaking spin on Batman’s best-known and, arguably, best-loved villain. It’s pretty clear that Nolan intended to bring him back for the next movie, and not just for a brief Scarecrow-like cameo Cillian Murphy made in Dark Knight.
So now, he has an unenviable decision in front of him, whether to leave the Joker out of the next movie completely and focus on other villains, or take a risk recasting him and get a similarly astonishing performance out of someone who can expect to have every syllable and tic scrutinized by critics and fanboys alike.
My first instinct was that he should move on, offering a quick explanation that the Joker is locked away in Arkham Asylum, maybe edit in 15 seconds from Dark Knight to honor Ledger, and focus on a new arch-villain like…
Well, there’s the problem.
Catwoman?