Ignoring No

[This is a guest post by Tara Betts. Her info is at the end of the post.]

book from above by stephmcg
book from above by stephmcg

come celebrate
with me that everyday
something has tried to kill me
and has failed.

— from Lucille Clifton’s Book of Light (Copper Canyon Press, 1993)

I kept notebooks as a little girl, and I always knew I had books in me – books other people would want to publish and read. I still have one of my handmade books, bound with purple yarn, the lavender construction paper cover sealed in clear shelf paper. The title in purple marker reads “Differences”. It’s the earliest collection of my poems that I still have.

Since then, I’ve published poems, essays, and articles in noted journals and anthologies in the U.S. and other countries; written for magazines about hip hop and literature; and blogged about whatever mattered to me. I toured across the country and trekked to London and Cuba where I led and took workshops and performed my work. I shared poems on Chicago radio stations that I listened to as a high school student in Kankakee, IL, and eventually appeared on television doing the thing I loved most—sharing my poems.

These were all things that no one expected from people where I grew up.  Kankakee is a small town, just south of Chicago, predominantly Black and hit very hard when the last factory downsized and eventually closed while I was still in high school.  At one point, our town was voted the worst place to live in America, and the economy still has never really recovered. Before that, my friends and I talked about writing, making music, starting businesses, and going to college as our escape into adulthood and away from Kankakee. We talked about all these big dreams.

The thing is, no one ever told you how to get past the dreaming and get to the doing.

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Spindle: New Content for April

Spindle Magazine: A New York State of Mind
Spindle Magazine: A New York State of Mind

Things were looking dicey for April — I’m still almost a week behind on NaPoWriMo, not to mention the craziness of the real world — but I managed to post some new content before the calendar turned, with great poetry from Erica Miriam Fabri and micro-fiction from James Bezerra and Dominic Preziosi.

Check them out at: http://spindlezine.com

Also, be sure to poke through the archives and revisit some great features like “Love, New York Style” and an interview with WORDS IN YOUR FACE author, Cristin O’Keefe Aptowicz.

OTHER UPDATES:

You do know Spindle has a spanking new Facebook Page now, right?

Next month, I’m hoping to get our columnists back up and running again, as well as to start catching up on the growing backlog of 2009 submissions. (I’m finally completely caught up on everything Spindle-related from 2008, except for the columns.) I’m also going to have a great special feature that came out of the Acentos Writers Workshop I facilitated this past Sunday.
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Submissions: Know Your Market… and Medium

Spindle Magazine: A New York State of Mind
Spindle Magazine: A New York State of Mind

The most basic advice usually given to writers looking to submit their work to magazines or literary journals is to know the market, aka read the guidelines and pick up a few issues before wasting your time and the editors’ by sending something that’s totally inappropriate for a publication.

With the increasing popularity of online-only publications, it might be time to suggest another piece of not-so-basic advice, and that’s the importance of knowing your MEDIUM.

There’s a number of differences between writing for print and writing for the web, no matter the format or genre, because the former is much more contextual than the latter.

In a print magazine, each page is designed, and the articles on them are laid out, with an intent to establish a steady flow from page to page, to carry the reader from cover to cover so they don’t miss anything, including the ads. An issue may have a specific theme, or have a number of different departments, each with their own themes, that can act as a subtle prop for the articles, stories or poems to lean on. While an online publication can mimic many of the page design elements of print, an article, poem or story has to be able to completely stand on its own, as it may be accessed in any number of ways that have nothing to do with the context of the site that published it. (aka Google, StumbleUpon, Twitter, etc.)

Online, a title is arguably even more important than usual, but especially for Spindle.

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The Return of Spindle (and a call for help)

Spindle Magazine: A State of Mind
Spindle Magazine: A State of Mind

When it comes to Spindle, I often refer to “we” but the reality is that it’s 99.5% me; I’m a control freak and have no shame admitting it.

Of course, that has a rather extreme down side to it, too.

I have a couple of poetry editors who are more like consultants whom I run poems that I’m on the fence about for a second opinion, but I read every single submission first — poetry, fiction, non-fiction, photography — and reply to every one of them myself. For a while, I was offering critical feedback on the majority of the rejections, but as anyone who has ever been an editor before, that’s a recipe for disaster on so many levels.

[Side note: Badly rhymed poems centered on the page make my eyes bleed and baby Jeebus cry. DO NOT submit such poems.  To me, or to anyone!]

Plus, I’m Spindle‘s sole webmonkey, posting all of the content and optimizing the Joomla platform, the latter of which often takes up more time than it should because I love the technical side as much as the creative side.

I sent out an email yesterday to everyone who’d submitted something last year and hadn’t received a response yet — or in some cases, who’d received acceptances but their work was never posted — explaining that we’d been on “unofficial hiatus since last Spring when I changed jobs and things only got crazier and further delayed when I bought a house, moved to New Jersey, and changed jobs again; plus the election, the crashing economy, blah blah blah. I’m not offering excuses, just context, to explain why you haven’t heard back from me yet.”

I knew I was way behind, but I was stunned to realize some of these submissions went back as far as February 2008! Ridiculous, and quite frankly, a little bit embarassing, regardless of the legitimate circumstances.

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Spindle Update: Scheduling Delays

If you’re one of Spindle‘s obsessive readers who’s figured out our update schedule and checks in every second Tuesday for new content, you’ve probably noticed our schedule has been slipping a bit the past couple of months.  Thankfully, it’s not for lack of content, as the submissions continue to come in at a steady pace and many of them are pretty good!*

Truth is, I started a new job about two months ago and it has completely swallowed up the little bit of free time I used to have to keep Spindle on its intended monthly schedule.  Plus, I’m coaching my son’s Little League team AND Salomé just wrapped up her Master’s Degree AND we just bought our first house, so Spindle-time has been virtually non-existent since the beginning of March.

No worries about the fun coming to a premature end, though, as I expect to be back on a regular schedule shortly, and will post mini-updates sporadically whenever I’m able to until I do get back on schedule. I’m particularly excited about the upcoming debut of our newest column, “GSNY”, by Gabrielle Sierra, who has a great voice and some very interesting stories to tell.

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Spindle: February ’08

Spindle Spokesbaby: Will DiazIn the midst of all the political blogging I’ve been doing lately, I had a Spindle update looming on the calendar for today and stole time here and there over the past two weeks to sift through the surprisingly steady stream of submissions that have come in since last month.

I was worried in mid-January that the aggressive “official launch” schedule I’d set up for January, posting 15 new pieces over three weeks, would deplete my inventory and leave me scraping through some marginal work to get something up this month but it all worked out nicely in the end as we have new work from Alan King, Eric Payne, Rachel L. Olivares and Julian Taub, plus new columns from Stephanie R. Myers (Myers Music Experience) and Brooke Wacha (On the 1).

Log on now and get into a New York state of mind @ http://www.spindlezine.com

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Borders’ Open-Door Poetry

Borders -- partnering with The Student Publishing Program, one of the top high school writing programs in the country -- has launched an interesting new online program promoting poetry called Open-Door Poetry: "Open-Door Poetry" is for anyone who has ever wanted to communicate to others in some way while opening the door for viewers to become active participants. Each compelling episode features seven to 10 "spoken-word" and "academic" poets giving writing advice or reciting poems live from locations ranging from the streets and rooftops in New York City to the living room in the home of the poet. Each episode…

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