I had the privilege of being one of the fifty voices included in Molly's excellent feature at Brooklyn Magazine (the interview for which inspired my last post), and it's a must-read for everyone in publishing. It left me with mixed emotions, no less frustrated with the industry and still vaguely optimistic that real change is on the horizon. Maybe. Go read it and share it widely.
Category: Publishing
Commentary and advice on various aspects of publishing, primarily magazines, books and digital media.
Publishing Diversity Games: Catching Fire
If you're white and work in publishing, the path to creating a more diverse industry that represents the real world is actually a lot clearer than it is for those who are underrepresented. You're the default; you have access and influence and the ability to drive change from the inside. And thankfully, I know many who are doing exactly that and I appreciate their efforts. But what about the rest of us? How can we help drive change in this industry we care so much about, despite it so often not caring all that much about us?
As Ebook Dust Settles, Publishing’s Future Remains Bright
In these final days of 2015, here we are, with a traditional publishing industry that's evolved to include new players and business models, alongside an independent publishing industry that's steadily growing and continually evolving, too. What we haven't seen are the radical disruptions that so many predicted were right on the horizon...
The REAL Tools of Change? People
Yesterday's announcement that O'Reilly is retiring TOC came as a bit of a surprise at first, but in retrospect, it makes sense. Its focus on tools was a strength in the early days of the digital transition, but as the new shiny wore off, self-proclaimed "disruptors" faded away quietly, and viable business models came to light, it became clear that the tools of change that counted most were the people in the trenches, not the provocative pundits with plenty of ideas and little or no skin in the game.
Discovery is Publishers’ Problem; Readers are Doing Just Fine
Never mind the folly of dismissing Goodreads, a social network dedicated to books with 13m+ members and is steadily growing, or even Pinterest, where Random House has inexplicably attracted 1.5m followers, but the very idea that "something is really, chronically missing in online retail discovery" is arguably contradicted by Amazon's 2012 results, suggesting that "online retail discovery" isn't really a problem for readers. It's a problem for publishers.
6Qs: Tobias Buckell, Traversing Publishing’s Diverse Fantastic
In the beginning, when I was trying to sell my first novel, I had a weird experience of editors really wanting me to write, sort of magic realism set in the Caribbean, or about recent immigrants with a magical ability (I've had two editors actually give me that logline and ask if I'd be interested in writing that story, but it's just not there for me, I've got other stories still to tell). There was a strong sense that, hey, this is how you can be marketed as a Caribbean novelist.
You Can’t Manage What You Don’t Measure: On Social Media & Publishing
For the third consecutive year, I had the pleasure of doing a presentation on social media for my friend Peter Costanzo's M.S. in Publishing: Digital and Print Media class at NYU last night, and while preparing for it, I was surprised by how much has changed since the first time, and how much hasn't. Pinterest and Tumblr are bigger deals now (or at least perceived as such), while Twitter is steadily maturing (from a business perspective), Facebook changes its approach every six months, and email is still the underrated king of the hill.
That Time Publishing Lost its Sense of Humor and Missed the Point
And that is ultimately the point I took from Biggs' post. Again, it's not new, but when so many outside observers feel the need to continually repeat it, maybe it's because the message isn't getting through to those who need to hear it?
The Unbearable Stiffness of Formal Poetry and Writing for the Page
Interestingly, Spiegelman nails the underlying problem with poetry in general, though he seems to imply it's a flaw related more to a poet's level of experience with form rather than an inherent flaw in poetry in general, but especially that written for the page. While formal poetry has never been my cup of tea, the vast majority of poetry -- formal and free verse, written and oral -- actually bores me to tears for the exact reasons Spiegelman notes.
Penguin’s Modest Self-Publishing Gamble
Being sold for only slightly more than the revenue you brought in the prior year isn't exactly a signal that anyone believes the company has a lot of growth potential, especially not one whose roster theoretically covers the full gamut of shiny author services so many seem to believe are publishing's revenue streams of the future. Plus, ASI was apparently on the block for a while with no buyer, so I find Penguin's CEO John Makinson's claim odd, as reported by Publisher's Lunch, that he expects there will be a "new and growing category of professional authors who are going to gravitate towards the ASI solution rather than the free model." So then, what's the real angle here?