There are a number of challenges indie booksellers face—a shit economy being the biggest of them—and there are many that won't succeed, not because Amazon put them out of business but because THAT'S WHAT HAPPENS TO MOST BUSINESSES. There are many neighborhoods that simply can't (or won't) support a local bookstore, and that's perfectly normal, too.
Category: Publishing
Commentary and advice on various aspects of publishing, primarily magazines, books and digital media.
KDP Select: Is It Worth It?
If you're an author who has already been shook and sold your soul and firstborn to Jeff Bezos, I can see this seeming like a good short-term deal, but the potential repercussions are huge.
Publishing’s Brooklyn Problem
Much like Google didn't disintermediate big ad agencies via AdWords, nor TV networks or Hollywood studios via YouTube, but instead provided new channels for those who had no need for the Super Bowl, Amazon has done the same for authors who are better served with a scalpel than a mallet.
Are Inexpensive Self-published Ebooks the New Blogs?
It reminds me of 2003, the year I started blogging, and how some people were able to attract large audiences for their writing, and the mainstream media scoffed that they would ever be taken seriously. Fast-forward, many of those early bloggers are now considered "real" journalists, some because they went to work for traditional media brands, others because they attracted a significant enough audience on their own that they couldn't be ignored.
Spinning Dominoes: Don’t Believe the Hype… But DO Learn From It
Not quite one year to the day it was announced, Seth Godin is shutting The Domino Project down, offering the awkward explanation that "it was a project, not a lifelong commitment to being a publisher of books," instead of, perhaps, admitting that publishing is harder than it looks if you want to swim at the deep end of the trade pool in the middle of a dramatic transition, as he obliquely acknowledges in many of his noteworthy takeaways.
6Qs: Alex de Campi, Comics Innovator and Provocateur
We are not anywhere near the digital future yet with comics. There is so much exciting ground to be staked out! We just need a new publisher, or a collective of coders, comic writers, and artists. I think the latter is more likely than the former.
Realms of Fantasy Probably Can’t be Saved
I casually followed the transition for a couple of months before losing interest, and was disappointed to check in last week to find an uninspired website and social media presence, and PDF-only digital editions. I also realized I hadn't noticed the magazine on the newsstands in months.
Richard Nash on Cursor and the “F” Word
Nash took an honest shot at something he believed in and, more importantly, maintained his integrity throughout the process. While neither Cursor nor Red Lemonade ended up being the "game changers" some thought they might be, one could argue (and so I will) that the publishing industry overall is stronger for the attempt, and what *did* work shouldn't be lost in the discussion.
The Truth About Disruption in Publishing
In publishing, every day it seems there's a new upstart or three that's going to disintermediate (or even better, KILL!) traditional publishers, but with the exceptions of Open Road Integrated Media and, possibly, Ruckus Media Group -- notably, both are run by major publishing veterans and have partnerships with a variety of "traditional" publishers -- you'd be hard-pressed to name too many others that have had any truly notable impact to match the hype surrounding them.
Amazon, Libraries and Ownership in the Digital Age
Basically, Amazon one-upped Barnes & Noble's Read In-Store feature that allows Nook customers to "read NOOK Books FREE for up to one hour per day" in any of their 700+ stores, and put the exact same feature in every Kindle customer's living room via 11,000+ public libraries, without the physical and timing limitations.