The Problem With John McCain

I said elsewhere recently that I thought John McCain would be the least likely Republican candidate to make a Freudian slip and drop a racial epithet if running against Barack Obama. I’d forgotten about his reference to “gooks” during the 2000 presidential primaries, though. And then, during last night’s Republican debate on Fox — one of the most depressing things I’ve watched in years, BTW — he dropped this beauty and I realized exactly how important this year’s election is: 

“I’m not interested in trading with al-Qaeda. All they want to trade is burqas. I don’t want to travel with them. They like one-way tickets.”

Generally speaking, I had considered McCain the most palatable of the Republican field despite his aggressive stance on the war, but this kind of casually racist — and clearly pre-scripted — comment, presumably okay because it’s in reference to an enemy — his justification for the “gook” comment, too — brings to mind Stephen King’s Dead Zone, visions of his crazy ass starting World War III being even clearer than those I’ve had of Dubya. (Fred Thompson has a noticeably itchy trigger finger, too, and is looking more like a potential VP choice for McCain, which is scary as hell.)

I watched about 30 minutes of the debate before I couldn’t take it anymore and came away with a better understanding of the appeal of Mike Huckabee and Ron Paul, who at least come off as sincere representatives of their respective platforms, even though the latter seems easily distracted from the point he’s making at any given moment. Paul was the recipient of some unwarranted contempt and derision from both the moderator, the insufferable Britt Hume, as well as several of his fellow candidates, and while he has no real shot at winning the nomination, with the impressive financial support he’s received, I can see him launching a 3rd party candidacy that siphons some votes from the Republicans and possibly even some of the ill-informed progressives who blindly backed Howard Dean in 2004.

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On Jodi Picoult, Writing, and Platforms

The two morning sessions I attended were about breaking into magazines and an overview of sales & marketing in the book industry, the former of which was more of a refresher course while the latter filled in a lot of the gaps where things are different in periodical publishing, which is where my background is. One common thread popped up in both sessions that I thought was really interesting, though: platforms.

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LINK: Raising the Bar for Comics Journalism

Heidi MacDonald -- of the recently relocated The Beat, and defender of all that is righteous in the comics world -- proves that, with great power comes great responsibility, using the high-profile visibility of her new Publisher's Weekly platform to...well, to dish dirt. Dept. of Scandal I A while ago we told you about budding filmmaker Matt Busch reporting on his LiveJournal about a nasty breakup with his girlfriend, actress Sarah Wilkinson, with writer Steve Niles as the third party. We're not going to rehash all the story because it's just ugly stuff that should have been kept private, but…

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On the Shelves: 6/21/06

Support GOOD Comics! Try something new EVERY month. My weekly look at select comic books being released Wednesday, 6/21/06. The full shipping is list available at ComicList. [NOTE: Not all of these titles will actually arrive in all stores. If your LCBS offers a pre-ordering service, be sure to take advantage of it. If not, find another one; or try Khepri.com or MidtownComics.com] PICK OF THE WEEK Fallen Angel #6APE ENTERTAINMENT Black Coat Call To Arms #3 (Of 4), $2.99 So much better than a black-and-white period piece with a throwback storytelling sensibility has any right to be, I can't…

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COMMENT: Comics & "the Mainstream"

The Comics Reporter's Tom Spurgeon, in his first CR Sunday Magazine of the new year, said:"Screw being mainstream anyway. Comics has a lot of its cultural power not just as a secondary art form, but as a semi-disgraced secondary art form. I think because of their personal neuroses, which in many cases expresses itself in a desire to be popular, some comics fans put too much stock in a wide audience. The goofballs who write 'According to Jim' have a bigger audience than the playwright Tony Kushner. But who has the more admirable, effective and ultimately desirable creative platform? I'd…

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COMMENT: You Like Drama, Yes?

That's the only way I can think of to explain why, of the two links to this blog from The Beat earlier this week, way more people clicked over to the ongoing Speakeasy drama than did my bit on the general lack of interest in comics journalism. Like five times more. As I wrote to Tom Spurgeon, in response to his criticism of a PW Comics Week article last week, "the comics industry is simply too small and insular to support legitimate journalistic oversight - outside of independent efforts like [The Comics Reporter] and the sporadic gems that pop up…

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COMMENT: Who Cares About Journalism?

The response to yesterday's article reminds me a bit of how minorities often tend to be more accepting of a lesser quality product made by one of their own, simply happy to have something they can relate to. (ie: UPN comedies, Wayans brothers' movies, Hudlin's Black Panther, etc.) Because there's such a lack of real journalism in the comics industry, anything resembling it becomes worthy of praise.

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