Staying on Message: It’s all about Community
There’s a hand-painted sign that hangs over my desk at work, that my wife picked out years ago at a crafts fair in Virginia, that says: “I’m not bossy, I just have better ideas.” Anyone that’s worked with me, reads this blog, or follows me on Twitter, probably isn’t the least bit surprised by that.
Is Social Publishing simply Vanity Publishing 2.0?
“Yes, Sir, there are many happy people here. There are many people here who are watching hundreds, and who think hundreds are watching them.” Samuel Johnson, Quotes on Vanity “Digital publishing”, “ePublishing” and “social publishing” are the buzzwords du jour; Web 2.0 business models based on the idea that eBooks are the next big thing
The Bookstore of the Future is… a Tree Museum?
“I would be the most content if my children grew up to be the kind of people who think decorating consists mostly of building enough bookshelves.” —Anna Quindlen GalleyCat had a provocative post last week, “Is This the Bookstore of Tomorrow?“, spotlighting novelist Moriah Jovan’s anti-septic floorplan anchored by two Espresso machines (POD, not coffee) surrounded by workstations for
Platform 201 for Busy Writers: 1,000 True Fans
A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author – in other words, anyone producing works of art – needs to acquire only 1,000 True Fans to make a living. —Kevin Kelly, 1,000 True Fans The “1,000 True Fans” theory states, effectively, that 1,000 literal fanatics each spending $100/year
Platform 101 For Busy Writers: 3 Simple Steps
“The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you’ll need later.” —Seth Godin In an era of immediate gratification and information overload, patience is something few
Free is wrong for writers; Freemium might not be
What [FREE author Chris Anderson] is proposing is down somewhere, on the scale of ethics, well beneath Wal-Mart’s policies of no longer hiring any full-time workers so as to avoid health and unemployment insurance. It is in fact some weird sort of neo-feudal, post-contract-worker society, in which he will create a dystopian and eager volunteer-slave system
The Limitations of FREE; Godin vs. Gladwell
For Anderson, YouTube illustrates the principle that Free removes the necessity of aesthetic judgment. (As he puts it, YouTube proves that “crap is in the eye of the beholder.”) But, in order to make money, YouTube has been obliged to pay for programs that aren’t crap. To recap: YouTube is a great example of Free,
Crowds vs. Gatekeepers: Not a Zero-Sum Game
“It’s bullshit! Crowds have terrible taste… If you let the people decide, then nothing truly adventurous ever gets out. And that’s a problem.” –Christopher R. Weingarten (@1000TimesYes), #140Conf Speaking at the 140 Characters Conference — a brazenly opportunistic affair best described as “a meeting of Twitter Early Adopters Anonymous” and the “biggest circle jerk of
Can the $99 iPhone save newspapers?
I am not a card-carrying member of the Steve Jobs Cult by any means, but the smug “Mac vs. PC” commercials aside, when it comes to innovation and marketing savvy, I bow before Apple’s altar. Yesterday’s announcement of the “new” iPhone 3G S wasn’t greeted very warmly by some of its hardcore fan base (“Apple
How Much is a Magazine’s Content Worth? Part III
There will always be gatekeepers of one form or another, whether traditional publishers or the crowd-sourced variety. In both cases, the crowds are usually led by a few vocal minorities, and both have a history of chasing trends while ignoring new voices and ideas, so what’s old is basically new again. The true value of content is more measurable than it’s ever been, so publishers’ primary focus should be on curating great content that people are willing to pay for, and to organize and nurture a community around that content and the authors who create it. That community will exist in multiple places and spaces, and vary wildly in size; in some cases, they won’t be the least bit interested in having advertising invade their space, overtly or covertly.