Dumb Pipes, Devaluing Content: It’s All About Context
In backing down, I suspect Jobs saw the HTML5 on the wall and realized he was fighting a rare losing battle, playing hardball with major content producers whose early, enthusiastic and unabated promotion of the iPad — as inherently a consumption device as has ever been conceived — helped demonstrate its value to consumers. It was, theoretically, a mutually beneficial relationship until his reach finally exceeded his grasp.
Where’s My Penguin Football Jersey?
The reality is, once the eBook market shakes out in the next year or two and becomes more efficient, the publishing industry will still be the dominant supplier of books people actually pay for. Will the players change? Maybe, maybe not. Will the business model have to change? (drink!) Sure, for some publishers. Same for agents and authors, too.
Why Don’t More Authors and Publishers “Get” Libraries?
The public library is one of the fundamental pillars of our peculiar flavor of democracy, and yet, recent events in both political and publishing circles suggest that our commitment to them is wavering. And there’s certainly no shortage of opinions about their place in the “digital future,” some optimistic, but most some ignorant variation on “Who needs libraries when we have Kindles, Netflix and Wikipedia?”
Bookish vs. Amazon, Goodreads: Community or Commerce?
Of course, last week’s much hyped and completely vague announcement of Bookish, a new joint venture between three of the “Big 6? – Hachette Book Group, Simon & Schuster, and Penguin Group — caught my attention, not for its unusual (but not unprecedented) collaborative angle, but for its disappointingly unimaginative and shortsighted value proposition.
How Does a Writer Balance Sunlight?
Now, with a new job serving a new community that doesn’t officially (or unoffically) require my writing skills, there’s an exciting light at the end of the tunnel and I’m seizing the opportunity while trying to find the right balance to ensure it’s all sustainable.
Ebook Project: Handmade Memories (Part I)
Inspired more by friends like Chuck Wendig, Will Hindmarch and Jane Friedman than Joe Konrath, et al, and emboldened by everything I learned from working with Joshua Tallent while running Digital Book World, my goal for the project was two-fold: do enough of it myself to have hands-on experience of what it takes, what’s “easy” and what isn’t; and to get the monkey of finally publishing this particular book off my back!
When Content is Everywhere, Marketing is Queen
Right now, the relative ease of digital publishing — not yet the equivalent of blogging, but getting closer every week — and the exceptional successes of a relative handful of authors masks the larger challenges ahead for authors and publishers alike, regardless of their business model: discoverability.
Poke the Box, by Seth Godin
One of Godin’s running themes throughout Poke is to be an initiator, and that risking failure is the best road to achieving success, and by making Poke the Box the first offering from The Domino Project, he’s practicing what he preaches. He initiated, he shipped, and he pretty much failed to deliver a good book.
Why I Love Librarians, and Publishers Should, Too
I find it somewhat ironic that, at the same time publishers are scrambling to fill ill-advised budget gaps left by their blind co-dependence on Borders, HarperCollins decides to play hardball with the one channel that offers the maximum combination of discoverability and NON-RETURNABILITY.
The Art of Immersion by Frank Rose
The Art of Immersion is a much-needed bridge to/from Henry Jenkins’ seminal Convergence Culture, as Frank Rose crafts an engaging, insightful overview of how storytelling has evolved in the digital age that’s accessible to all, whether enthusiast or skeptic.