Tag: Self-Publishing

Ah Shit, Here We Go Again

The pros and cons of Authors Equity (maybe)

The truth is, we don’t know any specifics about Authors Equity’s model beyond a press release, a few vague interviews, and a range of hot takes. Their website has very little information, and they don’t currently even meet several of IBPA’s minimal Hybrid Publisher Criteria.

"This is Fine" dog with a guillotine next to a row of stacked books and sign that says, "I'm not bossy, I just have better ideas."

Five Things: February 8, 2024

“‘The future sucks’ seems to be the underlying theme of yet another edition of this newsletter. Sorry, not sorry!” Five things for February 8, 2024.

Me, in a green "Freed Between the Lines." hoodie.

Not-so-random pandemic thoughts on Author Platforms

It’s an unfortunate truth about books that it’s never simply been about being a good writer, but as literal thousands of new books are published every month, marketability is arguably more important — and harder to define — than it’s ever been.

Me, in a green "Freed Between the Lines." hoodie.

[FLASHBACK] The Future of the Blog: Robots Win

Shatner’s on Twitter, too, which is a “micro-blogging” platform. It’s like a blog on training wheels, for bloggers too stupid or boring to put together a compelling paragraph or three, and social media gurus who don’t like dealing with people all that much. Ev and Biz clearly had no idea the monster they were creating.

"This is Fine" dog with a guillotine next to a row of stacked books and sign that says, "I'm not bossy, I just have better ideas."

Five Things: June 10, 2021

Five things for June 10, 2021. That’s it! That’s the excerpt.

Photo by Jon Tyson on Unsplash

Publishers should be fretting over the illness, not its symptoms

The idea that publishers are fretting over losing a few past-their-prime bestselling authors is the least interesting aspect of Amazon’s growing “traditional” publishing operation, but it sure has been driving a lot of chatter—and presumably clicks—this week. Several think pieces and a ton of tweets have been written about Amazon recently snatching up another couple of recognizable authors and what it means for the publishing industry, the latest twist on a decade-long story (remember J.A. Konrath and Seth Godin?), but it’s just another symptom of an illness corporate publishing has been suffering from for years.

Photo by Daniil Silantev on Unsplash

Get A Clue(train) — Sustainable Digital Strategy for Author Platforms

In reality, markets consist of human beings and the conversations they have with each other, and those conversations can be messy and involve multiple points of influence. For authors trying to develop an effective and sustainable digital strategy, that means you’re not just competing with similar authors and books for readers’ attention—hello, myopic comp titles!—you’re competing with readers themselves and the various channels they use to connect with each other. With the right strategy, though, you’re not competing with anyone—you’re authentically engaging with and contributing to a dynamic community.

Me, in a green "Freed Between the Lines." hoodie.

Publishing Diversity Games: Catching Fire

If you’re white and work in publishing, the path to creating a more diverse industry that represents the real world is actually a lot clearer than it is for those who are underrepresented. You’re the default; you have access and influence and the ability to drive change from the inside. And thankfully, I know many who are doing exactly that and I appreciate their efforts. But what about the rest of us? How can we help drive change in this industry we care so much about, despite it so often not caring all that much about us?

Me, in a green "Freed Between the Lines." hoodie.

As Ebook Dust Settles, Publishing’s Future Remains Bright

In these final days of 2015, here we are, with a traditional publishing industry that’s evolved to include new players and business models, alongside an independent publishing industry that’s steadily growing and continually evolving, too. What we haven’t seen are the radical disruptions that so many predicted were right on the horizon…

Me, in a green "Freed Between the Lines." hoodie.

6Qs: Tobias Buckell, Traversing Publishing’s Diverse Fantastic

In the beginning, when I was trying to sell my first novel, I had a weird experience of editors really wanting me to write, sort of magic realism set in the Caribbean, or about recent immigrants with a magical ability (I’ve had two editors actually give me that logline and ask if I’d be interested in writing that story, but it’s just not there for me, I’ve got other stories still to tell). There was a strong sense that, hey, this is how you can be marketed as a Caribbean novelist.

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