Everything You Thought You Knew is Wrong
And this is what surprises me. Harlequin, you’re brilliant. You’ve made nothing but all the right steps in all these decades of publishing. You flourish where others founder. You took a great (welcome) leap with Carina, but this? This displays the business sense of a kindergartner. –Moriah Jovan, Harlequin: Ur doin it rong How fast
What’s the Curation Algorithm, Kenneth?
I was recently talking with a couple of researchers who observed that the most interesting science isn’t usually in the big name journals, but rather in the mid-tier or even lower-tier publications where really radical thinking and unusual results find their way into the literature. The big name journals are publishing on popular topics well
Six People in My (Virtual) Neighborhood
This fervid desire for the Web bespeaks a longing so intense that it can only be understood as spiritual. A longing indicates that something is missing in our lives. What is missing is the sound of the human voice. David Weinberger, The Cluetrain Manifesto A year ago, I used to get most of my information
Your Tools Don’t Matter (Or, Why I Love My Job!)
Why is it that with over 60 years of improvements in cameras, lens sharpness and film grain, resolution and dynamic range that no one has been able to equal what Ansel Adams did back in the 1940s? Ken Rockwell, Your Camera Doesn’t Matter First, disclosure: this post is primarily about the day job and is
Do Publishers Still Need Authors?
Just as many entrepreneurs no longer need venture capitalists to launch their companies, authors no longer need publishers to publish. Mark Coker, Do Authors Still Need Publishers? Picture this: In the future, as the risks of publishing shift from the publisher to the author, publishers will be able to invest in technologies that allow them
6 Reasons I’m Not Following You on Twitter
With some exceptions for family, friends and notable side interests, I primarily follow people and brands that are directly related to publishing, new media and marketing, and am militant about keeping a very high signal:noise ratio in my stream.
Burning Down the House: True Story
Arguably my “biggest” publishing credit is co-authoring Burning Down the House: Selected Poems from the Nuyorican Poets Cafe’s National Poetry Slam Champions (Soft Skull Press, 2000), and while I am both proud of and eternally grateful for its publication, its existence has more to do with timing and opportunism than the quality of the work therein. Besides my own attempts at zines and chapbooks, it was my first real introduction to the world of publishing, and it left a permanent mark that partly explains my cynical passion and/or pragmatic idealism for the publishing industry.
Publishing is a Community Service
Only those who know nothing of the history of technology believe that a technology is entirely neutral… Each technology has an agenda of its own. It is, as I have suggested, a metaphor waiting to unfold. Neil Postman, Amusing Ourselves to Death There’s a lot of hand-wringing and finger-pointing happening in publishing these days, both
Ignoring No
[This is a guest post by Tara Betts. Her info is at the end of the post.] come celebrate with me that everyday something has tried to kill me and has failed. — from Lucille Clifton’s Book of Light (Copper Canyon Press, 1993) I kept notebooks as a little girl, and I always knew I
Are Publishers Too White to Survive? Who Cares!
A recent meeting with two Caucasian well-respected literary agent friends of mine cemented that concern when one announced, “We’re all the same, [people the publishing industry]. We’re all white, we’re all over-educated, Ivy-leaguers, many of whom are trust fund babies.” Jeff Rivera, Declining Book Sales? WTF? Seriously? This is apparently going to be remembered as